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Post by BurlyBeaR on Apr 2, 2022 13:10:31 GMT
Hi everyone, I am selling 2 x tickets for Cabaret at the Playhouse Theatre on Saturday 16th April 2022. The performance time is 7.30pm, with a club entry time of 7pm. Seats are STALLS P5-P6 I paid £109.15 for both tickets including transaction fee, but I would be happy to resell for £80 total (£40 p/ ticket). Please note that this performance is after Eddie Redmayne & Jessie Buckley leave the production. I have already been sent the e-tickets by ATG so will be happy to forward these straight across to anyone who would like to buy them. Please private message me if interested! 😊 Please find a link to the notice here: theatreboard.co.uk/thread/9393/2-cabaret-tickets-salePlease note that ticket sales are restricted to members who have contributed 25 posts or more. This rule can be waived if it’s felt that the offer is particularly beneficial to members. As these tickets seem to be a good deal we will allow this one but please conduct financial transactions with people you don’t know with caution. |
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Post by sampmiller on Apr 2, 2022 13:13:59 GMT
Hi everyone, I am selling 2 x tickets for Cabaret at the Playhouse Theatre on Saturday 16th April 2022. The performance time is 7.30pm, with a club entry time of 7pm. Seats are STALLS P5-P6 I paid £109.15 for both tickets including transaction fee, but I would be happy to resell for £80 total (£40 p/ ticket). Please note that this performance is after Eddie Redmayne & Jessie Buckley leave the production. I have already been sent the e-tickets by ATG so will be happy to forward these straight across to anyone who would like to buy them. Please private message me if interested! 😊 Please find a link to the notice here: theatreboard.co.uk/thread/9393/2-cabaret-tickets-salePlease note that ticket sales are restricted to members who have contributed 25 posts or more. This rule can be waived if it’s felt that the offer is particularly beneficial to members so that these tickets seem to be a good deal we will allow this one but please conduct financial transactions with people you don’t know with caution. Apologies for this - I've noted the policy for future and thanks so much for allowing the post on this occasion 😊 |
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Post by richey on Apr 2, 2022 22:37:34 GMT
Saw the show this evening and thoroughly enjoyed it. I was sat in front row of dress circle and had a perfect view of everything, so well worth it for the £50 ticket price.
Didn't like all the fuss about entry- thought all the meandering around the basement wasn't worth all the hassle, there was a lot of standing around in narrow corridors and actually felt quite claustrophobic at one point.
I loved Amy's portrayal of Sally and the title song gave me goosebumps when it's actually viewed in context. This is one of the few productions I've seen where I could believe the relationship between Sally and Cliff and also with Frauline Schneider and Herr Schultz.
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2,850 posts
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Post by couldileaveyou on Apr 3, 2022 18:59:22 GMT
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3,551 posts
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Post by Rory on Apr 3, 2022 19:07:07 GMT
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Post by Kubrick on Apr 3, 2022 19:43:06 GMT
Next up for her is the Olivier.
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Post by lonlad on Apr 3, 2022 21:46:23 GMT
I doubt it.
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Post by Kubrick on Apr 4, 2022 0:26:19 GMT
So what did you think of Emily Benjamin’s performance? 😎 |
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Post by teamyali on Apr 4, 2022 3:40:16 GMT
I think this is the first time the Critics Circle awarded a lead performer from a musical to win Best Actor/Actress. They’re often biased towards dramas/straight plays so Jessie’s win is a refreshing take. The Best Musical category is open for new musicals and revivals, while there is no Best Play Revival category.
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Post by budd on Apr 4, 2022 4:50:47 GMT
Not taking anything away from Jessie's win, but the drama category for women had been really dire the past year (just have a look at the Olivier nominees) , apart from Cush Jumbo who was always going to win for Shakespearean perf.
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Post by gillian on Apr 6, 2022 22:22:51 GMT
Surprising number of empty seats tonight and a very flat audience. But I loved the design and feel of the show. Fra Fee was good and I loved Viv Parry for her effortlessly nuanced performance. The stars of the show are the creatives...Tom Scutt especially.
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Post by FrontroverPaul on Apr 6, 2022 23:48:29 GMT
Surprising number of empty seats tonight and a very flat audience. But I loved the design and feel of the show. Fra Fee was good and I loved Viv Parry for her effortlessly nuanced performance. The stars of the show are the creatives...Tom Scutt especially. I'm not surprised. The combination of widespread COVID and the policy of maintaining pricing at the level set for the previous star casting is bound to have an impact. |
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Post by Kubrick on Apr 7, 2022 12:16:03 GMT
Current rumor started by the (awful) NYPost says this production is eyeing a transfer to New York.
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2,249 posts
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Post by richey on Apr 7, 2022 12:19:19 GMT
Tickets now available via TodayTix
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Post by geweena on Apr 7, 2022 20:41:46 GMT
They have finally put the 21st April on sale. Plenty of seats available for this date in all prices if anyone is looking for options
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Post by leanne23 on Apr 7, 2022 22:07:32 GMT
Just out of Gala Night. I liked it, didn’t love it. The melodies and choreography in Act 1 is a bit repetitive, and some of it is rather grotesque. I absolutely appreciate the need for such excess and hedonism however. You get so caught up in the revelry that when the first Nazi reveal happens, its a real shock; up until that point I had completely forgotten about that subplot!
Act 2 is much stronger in my opinion. It’s much darker and I preferred the scenes outside the Kit Kat Club. Amy Lennox’s performance of Cabaret is worth the ticket price alone. Fra Free is a totally menacing Emcee.
I was sat front row of the dress circle, but I imagine any seat in the house would have provided a good view!
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Post by BurlyBeaR on Apr 7, 2022 22:13:47 GMT
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Post by ladidah on Apr 8, 2022 6:55:14 GMT
I could never accept the cost of the production when this opened, but quite tempted now.
The two leads seem good?
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Post by alnoor on Apr 8, 2022 8:45:32 GMT
My tickets have gone now, thanks |
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Post by richey on Apr 8, 2022 17:41:16 GMT
I could never accept the cost of the production when this opened, but quite tempted now. The two leads seem good? The two leads are very good as is the supporting cast |
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Post by circelily on Apr 9, 2022 14:50:31 GMT
Magnificent Jessie Critics Circle award. Hope she bags the Olivier as well.
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Post by danb on Apr 9, 2022 15:18:50 GMT
Well, Martine got one for her half a run in MFL so theres no reason why Jessie can’t do the same. Do you get a whole trophy or just the front half?
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Post by circelily on Apr 9, 2022 15:27:56 GMT
Why should anyone begrudge a deserved award for a performer just because they got taken sick in the last month of their run? The lion's share of the reviewer plaudits went to her for a reason. David Tennant deserved his Hamlet accolades as well. The takeaway is that most people who saw Jessie in the role feel extra lucky to have done so.
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Post by danb on Apr 9, 2022 17:15:02 GMT
Why should anyone begrudge a deserved award for a performer just because they got taken sick in the last month of their run? The lion's share of the reviewer plaudits went to her for a reason. David Tennant deserved his Hamlet accolades as well. The takeaway is that most people who saw Jessie in the role feel extra lucky to have done so. Yes, they are so so privileged that she turned up for them.🙄 They should think themselves so very very lucky. Not like they paid through the nose for said privilege or anything. I fully respect Taron Edgerton for having the balls to pull out of ‘Cock’ rather than let people down with a halfy halfy ‘I might be well enough’ mentality. |
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Post by inthenose on Apr 9, 2022 17:26:17 GMT
The takeaway is that most people who saw Jessie in the role feel extra lucky to have done so. Crikey. That might be your takeaway, it certainly isn't mine. |
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