170 posts
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Post by jess173 on Feb 6, 2019 16:54:43 GMT
I just unlocked rush for this and it says „Come back Thursday at 10:00 for more rush tickets.“
Don’t know why the mail would say Saturday but it looks like rush will be available for every performance.
I‘m seeing the show in March and I can’t wait. I already saw it on Broadway and loved it. I saw the original cast (minus Kendra Kassebaum) who also did the CD so it will be a little weird to hear different voices as I’m so used to the CD now. But I’m really looking forward to it.
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Post by ensembleswings on Feb 6, 2019 16:55:03 GMT
alece10 I’ve just looked at the app and it’s telling me to check back Thursday ie: tomorrow. Maybe it was just a glitch this morning pretty sure they should have seats for every performance, just the availability will vary. I’ve also noticed they’re selling standing tickets at the back of the dress circle for tonight’s performance. £10 each. Looks like that may be an on the day option for the shows that are sold out/close to selling out. There’s still a few seats left for tonight’s show but few enough that they’re offering standing tickets.
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14 posts
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Post by jollyblacksmith on Feb 6, 2019 16:55:14 GMT
I think they're just sold out too quickly. I've tried today to check what they are offering, and got a seat (but then released it). They're really sold within minutes, the other day I wasn't able to secure one (although as someone else pointed out, they sometimes popup a bit later) No what I mean is why didn't the message say try again tomorrow rather than try again on Saturday. The rush tickets are only sold on the day for that days show so I take it there will be none available for thur or Fri and wondered why. Ah, sorry, read that wrong. The app now tells me "check back tomorrow" though. |
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Post by Deleted on Feb 6, 2019 17:15:19 GMT
Just out from the matinee and slowly processing my thoughts.
Initially, I don’t get how people are getting so emotional over this.
Obviously it’s a very salient subject matter, precious to many and fairly well treated. The production is solid but seems a bit too sure of itself. It’s almost like it’s wanting to make people cry rather than tell the story.
I enjoyed the performance but did struggle to follow some of the speech in the first quarter (not due to volume just a rather abusive approach to EQ) which is a bit of an issue with the cast taking on many roles, so maybe that’s why I couldn’t get into it emotionally.
Visually, it’s a bit of an homage to Hamilton, did the revolve really add anything? I’m not sure... Starting to get very bored with spinny stages now.
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Post by Deleted on Feb 6, 2019 17:26:06 GMT
Well, is it totally necessary? No. But every other show with a revolve could do without one imo (Les Mis, Hamilton, Groundhog Day, Murder Ballad...). But it definitely adds something to the choreography.
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Post by Deleted on Feb 6, 2019 17:31:51 GMT
Well, is it totally necessary? No. But every other show with a revolve could do without one imo (Les Mis, Hamilton, Groundhog Day, Murder Ballad...). But it definitely adds something to the choreography. Yes indeed. I used to think that the revolve was paramount to the visual success of Groundhog Day, but since have realised it could be effectively done alternatively. It just seems like a revolve is the go to now for productions where they’re not using set verbatim. |
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Post by Dr Tom on Feb 6, 2019 18:10:55 GMT
Well, is it totally necessary? No. But every other show with a revolve could do without one imo (Les Mis, Hamilton, Groundhog Day, Murder Ballad...). But it definitely adds something to the choreography. You're getting your wish soon with at least one of those.  |
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Post by anthony40 on Feb 6, 2019 19:15:13 GMT
Firstly, please accept my apologies for my delay in posting this review. Unfortunately personal circumstances and head cold have prevented me from doing so any sooner.
So, Come From Away. I liked this very much and it's the first musical that I've seen in a while that really made me think.
As I posted on this forum, I queued up on Saturday morning for a £20 day seat. I got there at about 9.35am and was third in the queue and from memory, there were only about 4 people behind me.
When they sell you the ticket, the following is explained.
The tickets are non-refundable.
You cannot move seats or request an upgrade
There is high stage
They even make you sign the back of the ticket to ensure you have understood the terms of the sale.
As stated in my post on the night, I was in the front row. Now this is not for every body however for me, this was fine. Yes, the stage is high so you miss the actor's feet but in terms of the show I didn't feel like I missed anything and in truth, despite the height of the stage, you got to clearly see the actors facial expressions.
I for one had no idea about this story. When the tragedy of September 11 happened I was still in Australia. Perhaps be cause of distance, perhaps because of the sheer tragedy of what happened on that fateful day, or just exposure but the effect of all of these people who Came From Away had on each other and the small town in Newfoundland is told.
I for one didn't consider other planes in the sky at the time, the displaced passengers and crew, what happened to them. Or other factors, such as animals on the planes. As I say, it made me think.
Throughout the show, as it was unfolding before me, whether rightly or wrongly, despite an entirely different story and music, I keep on making comparisons to the musical Once; a group of actors plating multiple roles, musicians on stage interacting with the cast with an Irish music, actors not involved in the scenes sitting to the side of the stage and simple but effective movement.
The cast. No disrespect to Rachel Tucker but for me there was no stand out performance as I though they were all equal in terms of vocal and each, in their own way, depending on the character they are portraying, getting a stand out solo.
Also, so much diversity in the cast, in terms of age, gender and ethnicity. Possibly in order to portray the diversity of the passengers who had Come From Away.
There was one moment when one female cast member performing and singing her part came to the front of the stage and lifted her top to expose her belly and purple bra. Now, I need to make it perfectly clear that despite being somewhat taken aback and surprised because I wasn't expecting it, I was not in any way offended however as I was in the front row, wearing a white shirt, she saw me, and I saw her- there was eye contact momentarily.
Despite not actually truly understanding the story, I have been listening to the cast recording for about a year to two now on random play so it was great to see the show in its entirety and how and where the songs fit it.
Despite enjoying the show- and I truly did (I was on my feet giving a standing ovation) I wasn't blown away. But as I said, it made me think. And I'm still thinking about it. So, I guess in a way, that in itself, is a credit to the show.
BTW, got me a couple of the pin/badges.
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Post by Dannyboi on Feb 6, 2019 19:21:01 GMT
So glad to hear they've not crow barred an interval in this like I feared they would during its flight over. Loved it on Broadway last year and always thought the one thing that would totally ruin and kill the momentum of the piece would be the inevitable 20 minute cash grab for expensive drinks that i was sure would be added to its west end transfer. The creative team must have stood firm! xx
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Post by sophie92 on Feb 6, 2019 19:34:36 GMT
When they sell you the ticket, the following is explained. The tickets are non-refundable. You cannot move seats or request an upgrade There is high stage They even make you sign the back of the ticket to ensure you have understood the terms of the sale. I think this must be a Phoenix thing, at the very least, they did the exact same with the Bend It Like Beckham dayseats |
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Post by longinthetooth on Feb 6, 2019 19:53:17 GMT
I was at today's matinee too. Again, while I thoroughly enjoyed it, I was not blown away. I went in cold, not having heard a single note of the music or having a clue about the songs - I don't think this was an issue, as I never do listen beforehand (I usually familiarise myself with the story first, though). I was quite happy to join in the almost 100% standing ovation as the performances were terrific - it was just on the emotional front it didn't grab me. I wish I knew why.
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Post by anthony40 on Feb 6, 2019 20:03:15 GMT
Just out of curiosity, had the stage at The Phoenix been raised in any for this production, or is this the normal height of the stage?
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882 posts
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Post by longinthetooth on Feb 6, 2019 20:17:38 GMT
Just out of curiosity, had the stage at The Phoenix been raised in any for this production, or is this the normal height of the stage? I was in the second row, and thought the stage very high. I remember I sat in the front row for The Girls, but don't recall it was as high as this, so maybe it has 'gone up' a bit. |
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Post by Deleted on Feb 6, 2019 20:21:31 GMT
I guess it needs to be raised to install the revolve.
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4,172 posts
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Post by anthony40 on Feb 6, 2019 20:25:15 GMT
I guess it needs to be raised to install the revolve. I must admit this was a thought that crossed my mind |
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Post by ensembleswings on Feb 6, 2019 20:45:48 GMT
They’ve raised the stage for certain. Can only assume it’s due to the revolve.
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Post by Deleted on Feb 6, 2019 21:46:10 GMT
Incredible.
Rarely am I lost for words. This is one of those times.
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Post by Deleted on Feb 6, 2019 21:48:19 GMT
Incredible. Rarely am I lost for words. This is one of those times. I knew you'd love it! ❤️ |
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Post by Mark on Feb 6, 2019 22:13:05 GMT
Second time tonight, again just wonderful. My favourite show currently on the West End, if not ever.
Kiara Jay was on as Beulah tonight, and rather surprisingly Kirsty Malpass took over from Mary Doherty as Bonnie all but five minutes into the show, so not too sure what happened there! Anyway, both ladies did great and the whole cast really do come together as a fantastic ensemble.
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Post by beatrice on Feb 6, 2019 22:15:52 GMT
Incredible. Rarely am I lost for words. This is one of those times. Ohhh I'm so glad you loved it!!!  |
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Post by Being Alive on Feb 7, 2019 11:37:10 GMT
Got Rush for tonight - row H in the Dress circle.
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Post by zahidf on Feb 7, 2019 11:43:01 GMT
Anyone try the day seats queue for this?
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Post by mrbluesky on Feb 7, 2019 13:51:14 GMT
Anyone try the day seats queue for this? Tried on the first preview, was only me in the queue, but I imagine that as word of mouth spreads it’ll get busier |
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Post by christya on Feb 7, 2019 14:07:23 GMT
I'd love to try day seats but I'm concerned about the high stage. I'm 5' 2" and while I don't mind not seeing feet (I've done front row at Hamilton and been happy enough) it's sounding high. Years ago I went to see Shakespeare in Love at the Noel Coward and enjoyed it enough that I considered going back for day seats the next day - but when I went down to the front row to check the view, I could see literally nothing from down there.
Any short people sat front row yet?
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4,177 posts
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Post by HereForTheatre on Feb 7, 2019 14:14:28 GMT
Well i'm not short but i was on the 4th row and still felt way under the stage and would have been happier at least 3 or 4 rows back from even where i was so i don't know what the first row must have been like. The stage is very high.
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