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Post by holbee22 on Nov 7, 2020 15:25:35 GMT
Has this great American comedy ever played regionally in the UK? Though it's 50 years old (originally off-Broadway), it's had a very successful Broadway run in the 90's and a star studded revival there ten years ago. But I can't find any Brit version noted online. And it should be--it still holds up today in what it says about domestic terrorism, mental illness and celebrity; still very funny and very moving and ultimately very disturbing...
Plus: NUNS!!!
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Post by lynette on Nov 7, 2020 17:28:43 GMT
Welcome to the Board, holbee22. Nope, don't know this play. Sounds good though.
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Post by ncbears on Nov 7, 2020 17:48:47 GMT
It is a very funny play, with dark underpinnings. The stage show was filmed in the 80s with John Mahoney, Swoozie Kurtz, Christine Baranski, Julie Hagerty, and a young Ben Stiller. And yes “that site” has a full copy. I recall that the 80s version caused a change in Tony Award rules because it was eligible for best new play as it had never been in a Broadway house till then but had been around for fifteen years. I think that is when they made a rule about “classics”
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Post by TallPaul on Nov 7, 2020 17:54:21 GMT
There's an incomplete entry on Theatricalia for a production at the Lilian Baylis Theatre (is that Sadler's Wells?) in 1988/1989. Cast included Helen Lederer, Nichola McAuliffe and Denis Quilley. theatricalia.com/play/5nj/the-house-of-blue-leaves/production/cczDoes it ring any bells, Jan? As an American play, its natural home is the National Theatre, surely. 😉
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Post by princeton on Nov 7, 2020 18:38:30 GMT
I was very lucky to see the 1980s Broadway revival (which as mentioned above was filmed with its closing cast - Christine Baranski having replaced Stockard Channing during the run) and having gone in almost blind I thought it one of the best things I'd seen - a genius script, superlative cast, and a director, Jerry Zaks, who really understood how to get the most out of the piece. It was both hysterically funny and deeply politically - an anarchic, surreal black comedy.
I was hugely disappointed in the UK production the following year which opened the Lilian Bayliss Theatre (which is as TallPaul says a studio theatre within the Sadlers Wells complex). It had a good cast but felt very inauthentic and leaden - lacking in comedy and a sense of place. The venue itself wasn't ideal - and sadly that first season of in-house productions wasn't particularly successful and after a couple of years the venue stopped doing plays at all (though I did see a very good production of The Seagull there - which had Strictly's own Caroline Quentin as Masha!)
I held onto the hope that it was just that we Brits hadn't got a grip on a very American play - but the 2011 Broadway revival didn't really hit the spot either. Again another great cast including Ben Stiller, Jennifer Jason Leigh, Alison Pill and Thomas Sadoski gave their all - but David Cromer, the director, had clearly decided that black comedies shouldn't be funny and somehow managed to drain much of the life and energy out of it. That said Edie Falco as Bananas gave one of her brilliant performances. She was also the sole Tony nominee - whilst the 1980s versions got eight nominations and four wins (not that Tonys count for much really).
Maybe it's not actually that great a play - and the 1980's production managed to paper over the cracks. Or maybe I was just young and had low expectations in my early theatregoing.
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Post by Phantom of London on Nov 7, 2020 22:04:40 GMT
I was due to see the Broadway revival, which you mentioned along with Golden Boy, but my plane didn’t move from Heathrow because of snow.
No joking I sat on a brand new British Airways 777-300 for 6 1/2 hours and The plane didn’t move and because the plane didn’t move they wouldn’t feed or water me.
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Post by frankubelik on Nov 8, 2020 8:07:02 GMT
I saw the UK version too and can remember Kelly Hunter walking away with the show.
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Post by bordeaux on Nov 12, 2020 10:46:01 GMT
Only 'Six Degrees of Separation' has been a hit in the UK by this author (John Guare) as far as I can make out. It's odd that his other plays have not had the prestige productions that his US reputation might warrant. He has a gift for arresting titles: 'Bosoms and Neglect' and 'Four Baboons Adoring the Sun' are also by him.
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