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Post by thecursedexpress on Nov 11, 2024 21:56:52 GMT
I do wish they had done the show they were rumoured to be doing - a musical, using all the classic Steps songs, about Princess Diana, called 'One For Sorrow' It still makes me chuckle. Can you imagine?? That was by someone who is not affiliated with Steps but from seeing the megamix I would rather see that than this. When I read the plot I was like this is gonna be a Viva Forever situation again.
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Post by parsley1 on Nov 12, 2024 1:03:50 GMT
I think this should perform at the Royal Variety Show
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139 posts
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Post by Joseph Buquet on Nov 12, 2024 8:15:52 GMT
Can anyone give a basic plot summary. Please and thanks There isn't one. I wouldn't really call this a musical. It's a Steps sing a long. The audience are not musicals loving. They are there to sing and dance to Steps. If you like that, fine! But I knew there was a reason I avoid jukebox musicals, and this was it! I find these comments really strange. I totally get that someone would say that the show doesn’t have a good plot, or isn’t a good musical (I’m sure many will - this really won’t be to everyone’s taste). But to say it doesn’t have a plot, and isn’t really a musical is just odd. It has a plot, and contains every element needed for a musical! Some people claim that Six isn’t really a musical, and I understand that - but Here & Now is very much a regular jukebox musical in the vein of Mamma Mia or I Should Be So Lucky. In terms of an outline of the plot (spoilers follow - don’t read on if you don’t want to know anything about it), the show is set in a supermarket (Better Best Bargains), and focuses on the lives of the people who work in, or visit, the supermarket. There are four main characters, but the main thread of the narrative centres around Caz (played by Rebecca Lock), who works in the supermarket. She’s approaching 50 and wants to adopt a child, but hasn’t been successful in doing so. A rich businessman comes on the scene and tricks Caz into helping him to secure a purchase of the store, in return for help in achieving her dreams of adopting a child - unbeknown to her, he wants to buy it so that he a close it and turn it into luxury condos. The story progresses from there, with various subplots and inevitable love stories developing in the store, and an ending which I’m sure you can guess!
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2,275 posts
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Post by richey on Nov 13, 2024 6:38:46 GMT
That summary of the plot reminds me very much of Acorn Antiques the Musical
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Post by anelled on Nov 13, 2024 16:26:48 GMT
I day-tripped up to Birmingham yesterday to see this. I echo what Joseph says; I don't get some of these comments at all. Having seen the amazing Benjamin Button a few days earlier, I never in a million years thought I would prefer this, but dare I say it, I probably did. It is a joy from start to finish.
Acorn Antiques is a solid comparison; the plot and comedy are quite Victoria Wood (shades of 'dinnerladies', too), though the music obviously not so much. It's big & over-the-top but also heartfelt and kind. The plot is no deep masterpiece, but it ties the songs together really well. The placement of '5,6,7,8' stretches credulity a bit, but you buy it along with the rest! The vibe is similar overall to &Juliet, tongue-in-cheek but wittily clever. The cast is amazing; I was expecting they'd be wasted on this material, but they aren't. Lock is tremendous.
There were a fair few empty seats, but I doubt that'll remain the case. Everyone around me was having a ball. Five stars from me. I hope to see it in London before too long.
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Post by thedrowsychaperone on Nov 14, 2024 9:47:50 GMT
What's Finty Williams' role? I've found her casting in this to be the wildest but I'm also completely on board.
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Post by anelled on Nov 14, 2024 18:04:12 GMT
She plays the store's owner. She and Edward Baker Duly appear to have a lot of fun in their roles!
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Post by matty on Nov 14, 2024 18:18:12 GMT
Day tripped to Birmingham to see this today and absolutely loved it! While thr story is a bit thin, it didn't matter because the cast sold it! The songs sounded great, loved the little nods throughout to the original Steps choreo and the set worked too.
Really hope this has a life after this run.
If you're going in expecting high brow art, you ain't getting it here! But if you want a super camp, super fun watch, you're in for a treat!
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Post by xanady on Nov 14, 2024 18:54:40 GMT
Totally agree with matty above. It’s got the feel good factor that & Juliet had Loved it It’s simply a good fun night out and everyone in the audience seemed to have a great time. A smash imo!
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Post by d'James on Nov 14, 2024 19:03:34 GMT
Some comments I've seen on social media (not on here) are from people who seem to want to hate it before they go in.
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Post by danb on Nov 14, 2024 20:04:12 GMT
I’m not sure why they’d go in the first place. They must have money to burn. 🔥
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Post by d'James on Nov 14, 2024 23:38:38 GMT
I’m not sure why they’d go in the first place. They must have money to burn. 🔥 Quite.
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218 posts
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Post by Rozzi Rainbow on Nov 15, 2024 22:59:49 GMT
Well that is one of the best shows I've ever seen at the theatre, it's just so much fun 😊 I am a huge Steps fan so it was always going to be right up my street. The cast are all brilliant and all seem to be really enjoying themselves - that riff in One For Sorrow, just wow!!
It's definitely in the same bracket as I Should Be So Lucky in that it's cheesy with songs shoehorned in to very little storyline. The 5,6,7,8 scene is insane, in a good way. But it's not trying to be a serious show, it's just a fun night out. And it got the best audience reaction I've seen in a long time, lots of cheers for all the songs and we were all dancing along at the end.
I think it's the first show I've seen where I've known every single one of the songs. I really hope it goes on tour soon, as I could easily get attached to this, and I'm going to need a new show to follow next year.
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278 posts
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Post by unseaworthy on Nov 16, 2024 11:01:01 GMT
I am not that interested in the music of Steps... Is there any point me watching this show?
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Post by anelled on Nov 16, 2024 14:04:31 GMT
I am not that interested in the music of Steps... Is there any point me watching this show? If you dislike the music of Steps then no. If you just don’t know it then yes. This is a high quality production from top to bottom and the script is genuinely funny.
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656 posts
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Post by greeny11 on Nov 16, 2024 15:42:34 GMT
Currently at the interval of the matinee and this is already one of my favourite shows. I am a huge Steps fan which obviously helps, but it’s such good fun. The script is very funny and the cast is spectacular - Rebecca Lock is absolutely fantastic in this, and is in great voice. One thing which some jukebox musicals do is give you clips of songs to cram as many in as possible - none of that here. Most of the songs are done in their entirety, which really makes me happy.
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656 posts
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Post by greeny11 on Nov 16, 2024 17:13:38 GMT
My thoughts remain as positive at the end of the show. One of the best jukebox shows I’ve seen in ages with a phenomenal cast, and probably the best megamix I’ve seen.
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360 posts
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Post by properjob on Nov 16, 2024 17:31:22 GMT
I am not that interested in the music of Steps... Is there any point me watching this show? I would say a hard no.
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1,531 posts
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Post by Steve on Nov 16, 2024 18:46:31 GMT
I am not that interested in the music of Steps... Is there any point me watching this show? What do you think of "Mamma Mia?" What about "The Girls" or "The Band" Musicals? I ask because I saw Thursday's matinee, and if you're saying that you want a truthful human story, you won't get it because the story is highly contrived like "Mamma Mia," (or most movie romantic comedies) in that it's fun to watch but you won't believe any of it. Character-wise, it's in the Gary Barlow Musical genre (like"The Girls" or "The Band"), in that the characters are recognisable ordinary people that you can relate to. Their aspirations are everyday, relatable and the characters are familiar and loveable. If you are actively against "Steps" music, there is no point seeing this at all, but Steps are pretty close to Abba (a bit less rooted in poignant sadness, a bit more celebratory for celebration's sake), so I struggle to believe the majority of people can resist the charm of this music, and this is ram packed with recognisable chart hits for anyone who listened to the radio back in the day. I was having a bad day when I saw this (my phone packed up completely, leaving me with no amusement on the train and having to queue and beg at help desks for train tickets that had been on my phone) but I found this loveable, silly, contrived, joyous, celebratory show to be so much fun I forgot about my phone problems, though I did have more difficulty remembering the song list not being able to input the titles into a phone at the interval lol. Some spoilers follow. . . The contrived but enjoyable plot features Edward Baker Duly negotiating every aspect of Hugh Grant's career as he goes from cutesy stutteringly charming to completely morally bankrupt over the course of a couple of hours. His actions affect all the protagonists, who, like the characters in "Love Actually" (also featuring Hugh Grant) are ALL aiming at connections and relationships, and who all will move towards achieving those connections and relationships by plot end (I told you this was a high concept contrived kind of plot lol: peak Richard Curtis!). Luckily, the characters are so damn likeable, and the songs they get are all chart hits, so this Mamma Mia/Gary Barlow hybrid type musical really does feel like two hours of fast-moving, loveable joyous escapism. Rebecca Lock, who I will forever be slightly scared of because she knew my name in "Heathers" at The Other Palace (she had to call out one "Steve" a day, but I didn't know that, lol), is absolutely pivotal in making this story work, as she brings great conviction to her role as an aging wannabe mother, desperate to adopt, who is betrayed, and who betrays her friends in turn. She smashes the songs out of the park, with "Tragedy" and "One for Sorrow" highlights. But this cast is laden with terrific musical performers, and likeable characters (this is MUCH better than "Love Actually," which is a bit dull actually) doing funny quirky turns ("Chain Reaction" is off-the-scale camp fun): Hiba Elchikhe is adorably shy as a woman who can't even speak to her love object; Finty Williams's bolshy boss, Patricia hilariously speaks Frenglish at every opportunity ("Ecoutez everyone!"); Blake Patrick Anderson's effervescent character worships River Medway's Jem so much he just might blow it; and Sharlene Hector, in supreme voice as best friend, Vel, might just find a new relationship even without looking! This is all very very silly, taking relatable characters on a contrived joyful journey that successfully manipulates both us and them to be as happy as the relentlessly upbeat Steps songs want us to be. 4 stars from me.
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60 posts
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Post by drfootlights on Nov 16, 2024 20:36:00 GMT
I wouldn’t say I’m a steps fan by any stretch but I Saw this today and thought it was totally wonderful. It’s everything I Should Be So Lucky should have been and was so nice to hear an audience engrossed in the story and having the time of their lives (no bad behaviour either)
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Post by Afriley on Nov 16, 2024 20:43:52 GMT
Enjoying the show but the audience is horrific. The drunk obnoxious woman behind me thinks it’s ok to jump up and dance and shriek lyrics out…
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656 posts
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Post by greeny11 on Nov 16, 2024 20:56:05 GMT
I wouldn’t say I’m a steps fan by any stretch but I Saw this today and thought it was totally wonderful. It’s everything I Should Be So Lucky should have been and was so nice to hear an audience engrossed in the story and having the time of their lives (no bad behaviour either) Should have mentioned this earlier - the audience for the matinee were great. No bad behaviour, no singing/dancing, no filming (until the megamix when you're allowed). I generally choose matinees for jukebox shows as there is less likely to be drunken singalongs and poor behaviour.
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Post by Afriley on Nov 16, 2024 22:37:10 GMT
Well. Behaviour was shocking so I won’t give the show a rating as it’s not fair - I hated every moment of act 2 but it wasn’t the show’s fault per se.
Between everyone filming, the woman shrieking into my ear, the entire auditorium screaming every time anyone on stage did anything and booing the villain for minutes every time he appeared, this was horrific.
Home nursing a headache and a bar of chocolate.
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2,421 posts
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Post by theatreian on Nov 16, 2024 23:17:04 GMT
A great performance today at the matinee. Rebecca was in great voice as was the rest of the cast. Great songs with an ok plot but an overall great show.
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3,331 posts
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Post by david on Nov 17, 2024 21:46:51 GMT
The early start this morning for the train trip down to Birmingham for today's show (and who doesn't like a bit of Sunday theatre?) was so worth it for this one. It was a fun and camp 2.5hrs of musical theatre and definitely ticked all the boxes I want from a Jukebox musical - a big, loud and in your face production brought to the stage by a great cast - I really couldn't fault any of them. A fantastic bunch of actors and band delivering those STEPS songs with plenty of energy and humour. I found it to be a well paced production and time just flew by with each Act at roughly an hour long.
The book by Stephen Kitchener I would say is alright and was at least is coherent in its structure (with likeable characters) and offers far more than the more recent I Should Be So Lucky did. Though quite honestly I am not looking too deeply for any kind of intellectual engagement with these kind of shows. I am just after the fun factor here where I can just switch my brain off and have a great time and this show does that in spades.
I really liked the way the creative team have used the songs, particularly Heartbeat and One For Sorrow in bringing a bit of emotional depth to the show thanks to the brilliant vocals from Rebecca Lock. I am just glad that the whole songs were used rather than just snippets that you get with some jukebox shows.
With STEPS in the audience this afternoon it really was a bit of a surreal experience seeing them in person and at the mega-mix at the end with them sitting at the front singing and bopping away it was definitely something special to treasure from this visit.
With earlier posts noting really poor audience behavior, I really was expecting the worse, but surprisingly we got through the show without any sing or dance along moments until the mega-mix with us all on our feet and dancing away. As a show, it is definitely one I would be rebooking for on any future tour.
Rating - 4 stars
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