3,427 posts
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Post by ceebee on Jun 29, 2020 11:39:45 GMT
The guitar solo wail at the beginning of Damned for All Time (JCS).
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3,427 posts
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Post by ceebee on Jun 29, 2020 11:43:48 GMT
"This is who you will be, the rest of your long life through..." Act 1 - Finale, Prince of Egypt.
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Post by dazzlair on Jun 29, 2020 11:51:22 GMT
Miss Saigon: Kim singing "I feel walls in my heart/closing in/I can't breathe/I can't win. Devestating.
Metropolis: The first time Maria and Steven sing the chorus of It's Only Love/Bring On the Night together with the 2 different melodies. Steven: "If it's only love..."/Maria: "It won't take long..." Goosebumps!
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Post by Deleted on Jun 29, 2020 12:31:39 GMT
Not sure why I’ve never bothered with Carrie cos this is bonkers! Must research further. If you get the chance, try and listen to the full broadway soundboard recording. You get the full experience. The amazing - the mother and daughter material, Betty Buckley and Linzi Hateley, the original orchestrations, which are so atmospheric. The Crazy - most of the rest of it.... |
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Post by Mr Snow on Jun 30, 2020 15:36:59 GMT
42nd st.
Overture over. Cue dancers, curtain starts to rise and pauses...
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349 posts
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Post by kimbahorel on Jul 2, 2020 17:53:31 GMT
My obscure fave bits usually come with who is performing them as well
From Les Mis its Bamatabois turns up. But my love or hate is how its performed. When I went back to the show after the revamp I hated what they did, they added sound effects and it looked like a cartoon.
Les Mis also when the two police capture Jean Valjean in the prologue.
Maybe not obscure but Mrs Taylor's Lullaby in Bat Boy. Only saw it at Southwark Playhouse specifically what I saw Simon Bailey do.
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Post by Peter on Jul 2, 2020 19:06:21 GMT
Martin Guerre tour (version 4 of the show at that point I think!) and the harmonies in ‘Why’, specifically the passage: “how I longed for a chance to find somewhere and someone where I could find passion and a lover and gentle friend”
The autumn leaves falling during ’Beautiful’ in Sunday in the Park with George at the Menier
Julia Sutton’s adlibs during ’The Glory of Me’ (The Witches of Eastwick)
Emma Williams bring up her vein in ‘Mine All Mine’ (Bat Boy)
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460 posts
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Post by pianowithsam on Jul 2, 2020 19:09:29 GMT
The final sequence of the Mernier's Fiddler On the Roof was sublime.
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Post by Deleted on Jul 2, 2020 21:13:47 GMT
“She’s the one behind this! Christine! Daeé!”
Always raises a smile from me for some reason...
As did Matt Lucas’ “Paris at me feet. Paris in the dussstt!” (Nod to Marjory Dawes I assume).
“Shut up I’m rich, not some platinum blonde bitch” is also good fun...
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Post by Deleted on Jul 2, 2020 21:41:21 GMT
From Les Mis its Bamatabois turns up. YES! Here's something new, I think I'll give it a try Come closer, you. I like to see what I buy The usual price for just one slice of your pie Is this a trick? I won't pay more You've got some nerve, you little whore You've got some gall It's the same with a tart as it is with a grocer The customer sees what he gets in advance It's not for the whore to say "yes sir" or "no sir" Not for the harlot to pick or to choose Or to lead me a dance! Easily my favourite obscure section of the show. He needs to be a sleazy toff with a real side of menace, not some dandy out on the town. |
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Post by marob on Jul 2, 2020 23:17:16 GMT
I love the line Jack's mother has about the cow in Into the Woods: "we've no time to sit and dither/ while her withers wither with her."
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Post by vickyg on Jul 3, 2020 8:39:17 GMT
"Bravaaa, bravaaaa, bravissimaaaaa". So creepy.
And
"Lost your heart? Well we'll see about that. Did you think I'd let you leave me here flat? You're going to lose your heart to me I tell you, if I to... I have to... magic spell you!" Such a tune! And not available on the cast recording so even better in the theatre.
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4,176 posts
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Post by anthony40 on Jul 3, 2020 9:17:39 GMT
The bit where she's dressed up in the black and white outfit, feather in her hair and the fox stole around her and Norma Desmond returns to Paramout Studios and there's that voice shouting out to her
"Miss Desmond? Hey Miss Desmond! Up here Miss Desmond! It's Hogeye"
"Hogeye! Well, hello"
"Let's get a look at you!"
And he turns the spotlight on her and shes bathed in glorious light.
I appreciate that it's directly from the film but such a simple interaction and gesture- moving a spotlight- can have such an impact!
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Post by stepha on Jul 3, 2020 12:49:22 GMT
One of my favourite obscure moments is "southern motherf**** democratic republicans" in Hamilton - the way its sung and the choreography. Looking forward to watching it later on Disney + although I know that's one of the F bombs that is censored
I also appreciate in Wicked when Glinda arrives by bubble at the start - after your first time watching, you realise she looks so sad but has to act happy - when that's well done, its heart breaking.
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511 posts
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Post by Deal J on Jul 3, 2020 12:50:14 GMT
Into the Woods' Ugly Sisters, specifically on the OLC, when they sing sarcastically: "We're so happy you're so happy / Just as long as you stay happy, we'll stay happy"
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19,670 posts
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Post by BurlyBeaR on Jul 3, 2020 13:01:50 GMT
POTO when the theyve set the trap and police are securing the Opera House, you hear shouts of “Secure!” echoing from different parts of the building. I love that bit ☺️
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2,245 posts
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Post by richey on Jul 3, 2020 13:20:51 GMT
POTO when the theyve set the trap and police are securing the Opera House, you hear shouts of “Secure!” echoing from different parts of the building. I love that bit ☺️ That freaked me out so much the first time I heard it |
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4,176 posts
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Post by anthony40 on Jul 3, 2020 13:51:16 GMT
Two things in Wicked, both I believe are in Act II.
The first is right after 'As Long As Your Mine' where there is the blink and miss it image of Dorothy's house spinning in the tornado summoned up by Madame. Morrible.
The second where Elphabah sarcastically says to Glinda 'We can't all travel by bubble'.
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511 posts
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Post by Deal J on Jul 3, 2020 14:18:07 GMT
[...] The second where Elphabah sarcastically says to Glinda 'We can't all travel by bubble'. From your profile picture it looks like you might be able to though, anthony40 ! |
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Post by anthony40 on Jul 3, 2020 14:24:57 GMT
[...] The second where Elphabah sarcastically says to Glinda 'We can't all travel by bubble'. From your profile picture it looks like you might be able to though, anthony40 ! That photograph was taken about two weeks before lockdown commenced when I was in the ABBA Museum in Stockholm and that is the helicopter from the cover of the Arrival album. |
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Post by Deal J on Jul 3, 2020 14:41:03 GMT
Yes I recognised it from the Arrival album cover - very nice! I'd like to have been able to go to that museum, looks great.
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4,176 posts
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Post by anthony40 on Jul 3, 2020 15:00:58 GMT
Yes I recognised it from the Arrival album cover - very nice! I'd like to have been able to go to that museum, looks great. I'm an ABBA fan so am slightly biased but in terms of museums, it was excellent! They had the costumes on display from both Mamma Mia! films and the jeep. There was a HUGE room of costumes actually worn by ABBA and gold records, including the touring costumes. They explain how the four of the met and their backstories. They have re-created the hut with the piano that Benny used to sit at whilst writing the songs and Bjorn used to tinker with his guitar and the recording studio. You get to go into a booth and 'record' yourself singing against an ABBA backing track, sing and dance with an ABBA avatar and what each of the four of them have done after ABBA, including both Chess and Kristina. I'd go again in a heartbeat. |
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Post by anthony40 on Jul 3, 2020 15:13:13 GMT
In 42nd Street where they do the shadow dance- just brilliant!
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Post by Deal J on Jul 3, 2020 17:47:55 GMT
Yes I recognised it from the Arrival album cover - very nice! I'd like to have been able to go to that museum, looks great. I'm an ABBA fan so am slightly biased but in terms of museums, it was excellent! They had the costumes on display from both Mamma Mia! films and the jeep. There was a HUGE room of costumes actually worn by ABBA and gold records, including the touring costumes. They explain how the four of the met and their backstories. They have re-created the hut with the piano that Benny used to sit at whilst writing the songs and Bjorn used to tinker with his guitar and the recording studio. You get to go into a booth and 'record' yourself singing against an ABBA backing track, sing and dance with an ABBA avatar and what each of the four of them have done after ABBA, including both Chess and Kristina. I'd go again in a heartbeat. That sounds amazing!! I love how interactive it is, that’s a great idea. |
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879 posts
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Post by daisy24601 on Jul 3, 2020 21:15:21 GMT
I like when Nessa sings "Elphaba, seee..." and Elphaba crouches down next to her in time with it. A small but nice touch.
In Kinky Boots when Lola's dad takes his hand. Always brought a lump to my throat!
In Memphis when Mr Simmons is talking about his son, "He's 15...16...something like that."
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