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Post by robertb213 on Oct 22, 2018 17:59:15 GMT
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Post by Deleted on Oct 22, 2018 18:13:18 GMT
Good news that it’s being recorded. I quite like the score but, given the era it’s set in, have never felt it gives a flavour of it. Having used the choral/folk song tradition in The Hired Man and a Spanish flavour to Days of Hope that was, maybe, a trick that Goodall missed.
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Post by jgblunners on Oct 22, 2018 18:33:27 GMT
I'll be there on Saturday night - booked after hearing the video of Lucie Jones and Lauren Samuels singing on LMTO's twitter (and also because Rob Houchen's in it...)
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Post by sf on Oct 22, 2018 19:08:46 GMT
I very much wanted to go, but I can't make it. As a teenager, I saw the first production at Oldham Coliseum - the one with a cast that included Maria Friedman, Jenna Russell, and Clare Burt - and I still remember some of the music. Very pleased it's being recorded, and I look forward to hearing the album.
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Post by Dawnstar on Oct 22, 2018 21:38:08 GMT
I'm going to the Saturday matinee. I saw the production at the Union a few years ago & would like to hear Goodall's music again. I've been haunted at intervals ever since by one song "The Chances Are". The cast list looks promising too.
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Post by SamB (was badoerfan) on Nov 2, 2018 22:43:22 GMT
So this was glorious, and the cast are sublime. Do go and see it tomorrow if you can.
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Post by freckles on Nov 3, 2018 7:54:00 GMT
So this was glorious, and the cast are sublime. Do go and see it tomorrow if you can. Going today and really looking forward to it!
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Post by robertb213 on Nov 3, 2018 18:14:07 GMT
Really enjoyed this today, I'd like to see a properly staged version to get more out of the story but the vocals were sublime from all involved. Lauren was the standout for me, such a great voice 😀
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Post by winonaforever on Nov 3, 2018 19:39:28 GMT
I was there this afternoon, absolutely wonderful!
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Post by Dawnstar on Nov 3, 2018 23:48:51 GMT
(Mostly collating my own tweets here so apologies to anyone that is reading this twice.)
Sitting front row for Girlfriends may have been a mistake. I cried through 2 songs & nearly cried half a dozen more times in Act 1. Howard Goodall writes such incredibly emotional music. I managed only to cry once in Act 2, probably because that has a greater proportion of up-beat music.
I'm glad I've previously seen the piece staged as I think otherwise I wouldn't have been quite sure how the plot was progressing at a couple of points. I found the only weak point this afternoon to be the narration as it was more about the historical background than the plot. I hope that the cast recording will omit the narration & just have the glorious music. I also hope it'll be available on CD & not just a download.
I feel it's a bit unfair to single out cast members as everyone was excellent but I'm afraid I'm going to do it anyway! I was very impressed with Lauren Samuels's upper register as I only knew of her as a belting-type singer. I was in floods during Bronte Barbe's "The Chances Are", which is my favourite number. The other one that really got me was "Wake Me". I had heard of Vikki Stone as a comedian but didn't know she was also a very good singer & actress. Casting Ro Houchen - who must be mid-20s but looks about 18 - really brought home how young some of the men fighting were and, I felt, made Guy more sympathetic.
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Post by dlevi on Nov 4, 2018 7:33:44 GMT
I was completely new to the piece having never heard the score before so in echoing both Dawnstar and Robertb213's comments, the plot was all but lost on me. The narration was confusing she seemed to have altered between her own thoughts and elements of the plot. Also from where I was sitting, she was hidden behind her podium and that seemed quite odd. I thought it was rather wonderfully sung and if I single out Natasha Barnes it's only because, for me she possess that special spark of confidence and joy that the best of musical theatre performers have. I wish that the orchestra was better - perhaps a case of too little rehearsal. I'm sure the subsequent performances will be tighter and more assured. One caveat about the venue. The show was over, the houselights were up and yet the house staff prevented us from leaving for a minute or two - I'm sure there was a good reason but it did make for an unsafe crush at the exit and if one were the slightest bit claustrophobic it could prove disastrous.
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Post by freckles on Nov 4, 2018 9:49:25 GMT
I liked this but didn’t love it. The performers were all amazing and the music beautiful, but as an overall piece it was a bit dull and I got bored - I can’t imagine it as a full-blown musical as the narrative is so slight. A bit shorter and it would have been a lovely concert. I knew Lauren Samuels would be a safe pair of hands for the material, but really enjoyed Lucie Jones too (a much more serious piece than I’ve seen her do before). Bronte Barbe, Natasha Barnes and Rob Houchen impressed too. In fact, I don’t think there was a weak link vocally; the girl playing the drill sergeant also stood out, both as a singer and actress. The score was beautiful, with the soaring orchestrations I love from Howard Goodall, diminished a little by the clunky lyric and obvious rhymes at times. I would agree that the narrator didn’t add much. It was a nice gesture to use a servicewoman, but a professional actor would have made the flow smoother - and possibly the narration more interesting - it felt like she was nervously doing a reading in church. But I look forward to the recording, where I can revisit the bits I enjoyed. Interesting venue.
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Post by FrontroverPaul on Nov 11, 2019 13:23:56 GMT
The live concert recording of this show is now available for streaming or downloading.
A CD is also being released and can be pre-ordered from the London Musical Theatre Orchestra website for £12 + £1 delivery. I've just ordered mine. Already on Amazon digital music for sampling.
I missed this show at Bishopsgate but saw an amateur production at Brentwood Theatre in July and enjoyed it almost as much as The Hired Man. Storyline less engaging but some beautiful music.
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Post by horton on Nov 11, 2019 16:23:42 GMT
I knew the original very well- great score but the story is a bit of a slog.
I have the original sound desk recording and the end of Act 1 was and is a thriller!
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Post by Dawnstar on Nov 11, 2019 18:04:54 GMT
I have the original sound desk recording and the end of Act 1 was and is a thriller! That must be great. A pity they didn't do an OCR back in the day. I'd love to hear what a young Jenna Russell, Maria Friedman, etc. were like.
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Post by horton on Nov 12, 2019 17:20:25 GMT
Vocally, the show was fantastic, though Hazel's voice wasn't a perfect fit to the period. David Easter as the only man was equally a fish out of water.
But the hook "this could be your... lucky night" has stayed in my head and is always the first thing to pop up when such moments arise!
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