1,245 posts
|
Post by joem on May 29, 2023 0:28:35 GMT
Interesting adaptation by Timberlake Wertenbaker of the 1953 novel by Henri-Pierre Roche which was made internationally famous by Francois Truffaut's film starring Jeanne Moreau
A play about a threesome or about a modern way of living and loving? At the time it was set (action starts in 1907 although the novel made it much later) it would have been revolutionary - the woman has the upper hand and the men's deep friendship would be seen as at the very least homoerotic now. But I do get the feeling that love and lust merge in the author's mind as do friendship and narcissism. In the end the loves and friendships in the play are mostly self-serving.
The staging was simple but effective, an abstract blue on white background somewhat reminiscent of Matisse is neutral but attractive and the use of the water effect with bubbles for the two scenes which involve jumping into the Seine were realistic and dramatically well used. Good acting by the three-strong cast, pared down from novel and film.
Imaginatively directed by Stella Powell-Jones, the new artistic director, the Jermyn Street Theatre rarely disappoints and it certainly didn't on this occasion.
|
|
180 posts
|
Post by bee on May 29, 2023 10:27:25 GMT
Somewhat mixed feelings about this. It was beautifully acted, with Alex Mugnaioni as Jim in particular giving a brilliant performance. His slow transformation from the upbeat, cheerful figure we meet at the start to the worn-out, almost broken man he becomes at the end was wonderfully done.
I did, however, often find myself thinking "jeez, get over yourself" at the Bohemian pretentiousness of the characters. This made them hard to like, and hence hard to care about, at times.
Overall though, a good production.
|
|
1,477 posts
|
Post by Steve on May 31, 2023 12:56:22 GMT
My problem with this is that Truffaut's film of this was so much better than the novel, in so many ways, that returning to the novel sucks all the magic out.
I'd agree that the performances were great fun (and I did also love the water effect, performed through a porthole in the stage wall), but the characters much less so.
Some spoilers follow. . .
The story of two great inseparable friends, falling in love with one woman, Kath, who is unpleasantly uncompromising and controlling (despite being played with the utmost lightness by Sex Education's Patricia Allison) is too predictable and depressing here.
What Truffaut did was disguise the true character of the girl much much better: he very much focuses on the line Jeanne Moreau's Catherine says: "I don't want to be understood," and then makes sure we don't.
With George Delerue's enchanting score, and quick breezy scenes and cuts, he completely sucks us in to the joyous cult of this mysterious girl, the sheer fun of her capriciousness, and never lets go until the very end. The whole experience is a rollercoaster of unpredictable joyousness, drowning out the gloom.
Here, there's only gloom: of possessiveness and narcissistic personality disorder, and the whole thing wasn't to my taste, and just reminded me what a genius Truffaut was.
2 and a half stars from me for this.
|
|