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Post by theatreian on Jul 19, 2024 8:50:43 GMT
it’s not comprehensive because it’s going to Sheffield Lyceum in 2025. We're getting it to in Malvern from November 26th to 30th. Great to see more musicals coming to our local theatre. |
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489 posts
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Post by djdan14 on Jul 26, 2024 13:30:12 GMT
As much as the Kenwright production isn't incredible, they have had some gorgeous casting. Carolyn Maitland and Rebekah Lowings were both stunning as Molly. Hopefully we'll get some good casting this time round. Looks like you got your wish x.com/whatsonstage/status/1816790583152681203?s=46 |
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Post by distantcousin on Jul 26, 2024 13:48:56 GMT
You’re never beat it from when it was at the Picc in London with Richard and Cassie Levy. Saw the Kenwright version, terrible… Opera House Manchester was the genesis. Yes, that was the production I saw. Was disappointed with the score. I expected something a bit edgier and less cheesy/typical "21st century Broadway" sound, coming from the likes of Dave Stewart and Glen Ballard. |
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Post by jacobjb25 on Jul 26, 2024 17:46:01 GMT
As much as the Kenwright production isn't incredible, they have had some gorgeous casting. Carolyn Maitland and Rebekah Lowings were both stunning as Molly. Hopefully we'll get some good casting this time round. Looks like you got your wish x.com/whatsonstage/status/1816790583152681203?s=46Some lovely casting indeed. Would have been nice to have less returning cast but it's still in very safe hands |
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5,139 posts
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Post by Being Alive on Jul 26, 2024 17:47:25 GMT
This production is unbelievably bad, but when it's Kenwright I don't know what we expected.
Good for the cast, wish they weren't having to tour such a dire production.
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Post by danb on Jul 26, 2024 18:37:39 GMT
It’s such a shame because Manchester/London & the first (almost) identical tour looked & sounded great, with an excellent cast. It’s ghastly overwrought nonsense in the main but it did at least have enough about it to make a cheap ticket worthwhile and I actually stayed til the end. I just wish I’d got to see Siobhan Dillons’ Molly. I’m guessing that there’ll just be the shonky Peppers Ghost effect, props on fishing wire & some dry ice in place of the fab effects that used to exist.
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Post by interval99 on Jul 26, 2024 19:59:50 GMT
Bring back Mark Evans and Paul Ayres who did a great job as second run cast in the original London show (the Molly actress didn't race out and sign programmes as Mark and Paul did so forgotten who she was).
Know there are several ghosts featured so presume Les Dennis is one of those cannot not think of any other main role he could be, what ever you think of him he does keep working the boards.
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Post by erik24601 on Aug 23, 2024 10:15:25 GMT
Did anybody go to the first performance last night?
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3,301 posts
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Post by david on Sept 4, 2024 20:11:38 GMT
Having last seen GTM during its original 2011 Manchester run and thought it was a 5 star show thanks to its cast and brilliant staging, I paid a trip to the Liverpool Empire last night to see how this latest version faired.
Having a read of reviews from bloggers and critics of this tour, there is much praise for this cast and from my viewing I would certainly agree with this. As Molly and Sam, Rebekah Lowings and Josh St. Clair made for a really great watch with some great chemistry on display that came across really well both in the acting and vocals of the pair. Their relationship arc was a believable and highly emotional one that as an audience member you could invest in over the 2 hours and 20 minutes run time. As the villain of the piece, James Mateo-Salt's increasingly frantic portrayal as banker Carl was another good watch. However, I did feel that the early reveal of Carl as the villain maybe could of been stretched out longer to have a bigger impact in the plot. The comedy of the piece was brilliantly brought to life by the wonderful Jacqui Dubois as Oda Mae Brown. For me Jacqui was the standout here and had the audience in the palm of her hand in every scene she was in. Her big Act 2 number went down really well with the audience. No Les Denis last night, though to be honest I really didn't miss him.
As a score Dave Stewart and Glen Ballard's score holds up remarkably well upon a second listen to. "With You" still has the big emotional punch it had when I first heard it performed thanks to Rebekah's heart-breaking vocals. Of course, with Ghost, there really is only one song that everyone was waiting in that scene with the potters wheel. It certainly gets a good run out over the course of the show and got a big cheer when it turns up. With a 7 piece band bringing the score to life, sound mixing was fine with no issues hearing either the band or the cast vocals.
Whilst this version still retains the heart and soul of the original production, in terms of staging, whilst fine and there was plenty to like about it, there certainly wasn't the wow factor for me that was present from the Manchester production. The magic / special effects have been diluted here and been replaced in the main by a lighting design from Nick Richings which I will say was very effective, particularly in the closing scene in Act 2 seeing Sam move from Limbo to heaven which worked really well to end the show.
Having a chance to chew over my thoughts, if given the option to rewatch either the 2011 or 2024 version, I'd go with the 2011 version which for me was the complete theatrical package. I would say that there was plenty to like about the 2024 version and worth a watch on a cheap ticket.
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Post by newda on Sept 11, 2024 18:27:07 GMT
Booked and saw this on a whim last night in Bournemouth. Having read this thread beforehand I went in with low expectations but actually came out having quite enjoyed it.
To me the production felt pretty good. The stage never felt bare and as others said, the leads were excellent and you really felt the emotion from Molly and Sam and the humour from Oda Mae. Songs absolutely forgettable to me, but they served their purpose in the story.
Les Dennis might be a good way to boost some sales but for the amount he's on stage it's hardly worth carting him around the country.
A quiet lone wolf whistle caused some sniggering at one point when one of the leads removed his top, but other than that the Bournemouth crowd were much too busy unwrapping their Werther's Originals to be badly behaved at all.
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