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Post by Phantom of London on Jan 26, 2019 17:36:45 GMT
A play by the Polish-American Martyna Major, so great to hear a different voice in the playwright lexicon. This went on to win the 2018 Pulitzer for drama.
A play about the relationships about caregivers in America and their disabled clients. However this play is certainly very topical as this play kept nudging my memory about the absolutely heinous story that came out in Arizona this week, who also was a caregiver, that was one of the worst things I have ever heard.
Winning the Pulitzer like Humans did before this one, raises the bar and my expectation, unfortunately my expectations was dashed, but even though it didn’t blow me away completely, I still found it to be absorbing and enjoyable. My other misgiving with this was that the actor with cerebral palsy who was a chair user in the play, was an able bodied actor who stood to take a bow at the end. It is a no no now for actors to black themselves up as a minstrel show, the same here applies for me, I am sure there are actors that are also chair users, who would welcome the work, maybe there are actors who could play the role and tick every box? Theatre being a very inclusive genre I certainly hope so.
The other disabled actor Katy Sullivan who has unfortunately lost part of her lower limbs in real life, and is reprising her role she played in Williamstown and off Broadway, but none the less she was incredible and in one of her scenes she draws an audible gasp from the audience. Adrian Lester was also good values, had a big wordy monologue at the beginning, this isn’t the best play I have seen him in.
This will sell out, so buy yor ticket now, if you don’t want to queue for returns.
4 Stars
Hope this transfers, Like to see it again, without being distracted this time.
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Post by chameleon on Jan 27, 2019 8:18:52 GMT
A slow, mawkish, awkwardly structured play in a production that lingers over the slow, mawkish elements.
Assume the Pulitzer was awarded for addressing 'difficult' issues, not for the writing.
Two hours with no interval. Felt much longer.
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Post by showgirl on Jan 27, 2019 8:29:39 GMT
Wonder what happened with the running time then, as the theatre website says 1 hour 40? Though for me even that would be slightly too long without an interval.
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Post by chameleon on Jan 27, 2019 8:39:31 GMT
Wonder what happened with the running time then, as the theatre website says 1 hour 40? Though for me even that would be slightly too long without an interval. In at 7:30, out at 9:25, last night. Could be much shorter without all the meaningful pauses. |
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Post by Phantom of London on Jan 27, 2019 12:56:38 GMT
It is just shy of 2 hours., so the poster above is correct.
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Post by joem on Jan 28, 2019 22:25:47 GMT
Adrian Lester (what a wonderful actor he is) starts this off with an impressive monologue. Warm, engaging, funny, touching in turns. But the play then veers between physical disability and mental problems, strictly speaking here loneliness and its consequences. And while some would argue these can be complementary to my mind they detract from each other in this play, stopping the playwright from a closer examination of either.
Good acting from the cast of four and some dramatic moments - best not gone into for spoiler reasons - save this from being anodyne but I wouldn't call this a great play, I expected more.
Nice staging from the Hampstead production team, moving between scenes seamlessly.
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Post by blobble84 on Feb 2, 2019 10:34:11 GMT
I have 2 tickets for this evening’s performance which I’m unable to use.
The theatre won’t resell them as they have house seats left (even though it’s marked as sold out on their website and they haven’t actually put the house seats on sale yet which seems a little unfair, but oh well).
Would anyone like them? Otherwise they’ll go to waste!
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Post by tmesis on Feb 2, 2019 18:19:38 GMT
I too agree this is a good not a great play, but definitely recommended none the less. It has four incredibly strong actors with an amazing 15 minute opening monologue from Adrian Lester*.
Having read a few plot details I expected an absolute misery-fest but it isn't at all. I would have liked more scenes between the student and the hired carer since I found those the most engaging. Fantastically fluid design and scene changes.
*Since my day job is teaching the piano (and clarinet and saxophone) I was very impressed that when he was miming Satie's Gymnopedie no. 1 on the edge of the bath he got all of the fingering numbers correct (sorry if that's a bit anoraky.)
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Post by foxa on Feb 2, 2019 19:35:47 GMT
I liked this. Mr Foxa cried at the end.
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Post by foxa on Feb 2, 2019 20:04:57 GMT
Also just to clarify a point made at the beginning of this thread. The actor/comedian Jack Hunter who plays the wheelchair-bound character with cerebral palsy does himself have CP. It is not to the severity of the character, but I think care has been taken to cast someone who could not only play the role well but also understood it through a shared disability. An article about him and how the issue was approached: www.hamhigh.co.uk/etcetera/theatre/preview-cost-of-living-hampstead-theatre-1-5874163 |
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Post by talkingheads on Feb 3, 2019 21:43:46 GMT
I too agree this is a good not a great play, but definitely recommended none the less. It has four incredibly strong actors with an amazing 15 minute opening monologue from Adrian Lester*. Having read a few plot details I expected an absolute misery-fest but it isn't at all. I would have liked more scenes between the student and the hired carer since I found those the most engaging. Fantastically fluid design and scene changes. *Since my day job is teaching the piano (and clarinet and saxophone) I was very impressed that when he was miming Satie's Gymnopedie no. 1 on the edge of the bath he got all of the fingering numbers correct (sorry if that's a bit anoraky.) Very pleased to hear this. I will admit I booked this purely on the basis of being able to see him onstage, he's one of my favourite actors |
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Post by Steve on Feb 6, 2019 22:48:02 GMT
An extraordinary play, full of beautifully observed, affecting lingering, intimate moments, and 4 terrific performances, at times feisty and funny, more often achingly tender, slightly spoiled by what feels like a conventional koi ending to an otherwise unconventional play. Some spoilers follow. . . This is basically two two-handers, in which a broke and broken Adrian Lester cares for his ex-wife, Katy Sullivan, after she has a horrific accident, and a broke and unbroken Emily Barber takes a job caring for a bright young man with cerebral palsy. The title of the piece thus refers to the impecuniousness of the carers, as well as the stresses and strains of relating to other human beings generally, as well as the horrific things that can happen to us that drastically change our expectations of life. In terms of expressing all these human costs, by intercutting the two two-handers, the play is nothing short of magnificent, and like Mr Foxa, I was in tears, though well before the end. The end I would question, as it somewhat squanders the naturalistic poetry of the superbly acted scenes of caring, and being cared for, by predictably uniting the two storylines. In fairness, there is an opening monologue set after much of the action of the play, which frames that action (before flashing back to it) and somewhat prepares us for the final scenes. Still, I felt a distinct slip, from some of the most exquisite, observant and affecting acting and writing, to some fairly conventional meet-cute drama. That said, I think this is a must-see, with Adrian Lester on top tender form as a soft-hearted man, brutally buffeted by life (and ex-wife) and Katy Sullivan as that ex-wife, newly rendered quadriplegic, and unleashing some of her fury on her carer. What is wonderful about Sullivan's performance is how transparently she renders her true feelings in her bruised countenance, even as she affects a surface feisty toughness. (For fans of Netflix's Ozark, I found Sullivan's characterisation similar to, and equal to, that of Julia Garner's Ruth, ever spitting invective, brow furrowing with stormy rage, while micro-expressions of neediness and affection constantly bubble to the surface). In their own way, Jack Hunter's surprisingly effusive, confident and charismatic cerebral palsy sufferer and Emily Barber's closed off carer, slowly opening her heart like petals of a flower, are equally wonderful in their depictions of uniquely defined characters. Although I balked at contrived efforts to wrap up the storylines, this was wonderful in every other way. 4 and a half stars.  |
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Post by Steve on Feb 6, 2019 23:57:40 GMT
An extraordinary play, full of beautifully observed, affecting lingering, intimate moments, and 4 terrific performances, at times feisty and funny, more often achingly tender, slightly spoiled by what feels like a conventional ending to an otherwise unconventional play. Some spoilers follow. . . This is basically two two-handers, in which a broke and broken Adrian Lester cares for his ex-wife, Katy Sullivan, after she has a horrific accident, and a broke and unbroken Emily Barber takes a job caring for a bright young man with cerebral palsy. The title of the piece thus refers to the impecuniousness of the carers, as well as the stresses and strains of relating to other human beings generally, as well as the horrific things that can happen to us that drastically change our expectations of life. In terms of expressing all these human costs, by intercutting the two two-handers, the play is nothing short of magnificent, and like Mr Foxa, I was in tears, though well before the end. The end I would question, as it somewhat squanders the naturalistic poetry of the superbly acted scenes of caring, and being cared for, by predictably uniting the two storylines. In fairness, there is an opening monologue set after much of the action of the play, which frames that action (before flashing back to it) and somewhat prepares us for the final scenes. Still, I felt a distinct slip, from some of the most exquisite, observant and affecting acting and writing, to some fairly conventional meet-cute drama. That said, I think this is a must-see, with Adrian Lester on top tender form as a soft-hearted man, brutally buffeted by life (and ex-wife) and Katy Sullivan as that ex-wife, newly rendered quadriplegic, and unleashing some of her fury on her carer. What is wonderful about Sullivan's performance is how transparently she renders her true feelings in her bruised countenance, even as she affects a surface feisty toughness. (For fans of Netflix's Ozark, I found Sullivan's characterisation similar to, and equal to, that of Julia Garner's Ruth, ever spitting invective, brow furrowing with stormy rage, while micro-expressions of neediness and affection constantly bubble to the surface). In their own way, Jack Hunter's surprisingly effusive, confident and charismatic cerebral palsy sufferer and Emily Barber's closed off carer, slowly opening her heart like petals of a flower, are equally wonderful in their depictions of uniquely defined characters. Although I balked at contrived efforts to wrap up the storylines, this was wonderful in every other way. 4 and a half stars. |
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Post by talkingheads on Feb 9, 2019 20:07:16 GMT
Really enjoyed this. I admit I went to see Adrian Lester and was not disappointed. He is exquisite throughout, the opening monologue a particular highlight. The rest of the cast are uniformly excellent. The Lester story wa the best for me, one scene in particular was so truthful and tender and evoked an overwhelming sensation of awe in me at what I was watching. One bit in particular, you could've heard a pin drop in the auditorium it was so tense!
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Post by showgirl on Mar 10, 2019 6:34:26 GMT
Surprised there has been no comment here for a whole month and the main part of the run, especially given the favourable reviews and general enthusiam for this theatre amongst London members.
Anyway, I saw the final matinee yesterday and found it a bit slow at times during the first hour but that the pace picked up after that. I did find the final scene rather tacked-on and not entirely in keeping with the rest of the play but it provided, if hardly a happy ending, at least one with some hope.
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Post by firstwetakemanhattan on Mar 10, 2019 10:39:06 GMT
I was also there for yesterdays final matinee and very much enjoyed this. Very good acting from all four of the cast, Adrian Lester was fantastic, some funny lines and moments and also a couple of devestating ones, including one which drew many gasps from the audience and caught everybody by surprise. Had me thinking throughout and afterwards about how life can change suddenly for people and how you would cope and adapt to such chances. Really glad I saw this.
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Post by firstwetakemanhattan on Mar 12, 2019 14:06:56 GMT
Forgot to say that, {Spoiler - click to view}
I thought the few minutes where Eddie mimiced the classical music piano playing on Ani's arm in the bathtub
was very moving indeed and a beautiful beautiful moment. Followed by the total opposite shortly after.
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