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Post by stevemar on Mar 11, 2018 9:49:18 GMT
I loved this - such nuanced and heartbreaking performances from all of the cast. So much left unsaid, but understood between the characters. Little nuances - John touching George’s back at the table with the family around, the nuzzle on the back of George’s neck. Grief and loss expressed silently, the restrictions of one’s mind and circumstances, and snatches of freedom. Very funny also with some great one liners - particularly in the family’s discussion of the York Mysteries. I particularly enjoyed the performance from Katie West as Doreen. The women here were fully rounded characters. Her loss and longing and recognition of the situation just as emotional. Ben Batt has such a heartbreaking face and acted with pain written on it even though his character didn’t always express this vocally, and yes, his chest is a damn fine work of art. Jonathan Bailey’s puppy dog eyes and wide eyed excitement were so sincere and affecting you just wanted to cuddle him. A great selection of knitwear and braces too. Much credit to all concerned - particularly the director Robert Hastie and write Peter Gill for such an ensemble piece where each character mattered. After a few months of some good but not outstanding plays, something to rival last year’s The Ferryman, Angels of America (Part 1) and Beginning. Would I change anything? Well, I wanted to spend more time with these characters, to find out more about John and George, and in my head had an alternative ending. But, as it was, I think it was perfect for me. The behind the scenes is rather good too. www.donmarwarehouse.com/production/6395/the-york-realist/#behind-the-scenes
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Post by mrbarnaby on Mar 11, 2018 10:20:25 GMT
Saw this last night and it’s quite the most wonderful play I’ve seen in a long time. Faultless performances from all but particularly Ben Batt who is just heartbreaking (and hot) Quietly devastating and incredibly moving. I never say this but I wanted it to last longer- I so wanted to be in the company of these characters for longer.
This will sure take some beating.
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Post by Rory on Mar 11, 2018 10:39:19 GMT
Have you heard any word on the grapevine about a transfer mrbarnaby? I'm busting to see this!
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Post by dani on Mar 12, 2018 12:02:39 GMT
I would be worried about a transfer destroying the production's amazing detail and intimacy. It might work in one of the smaller West End theatres, but I'd hate its affectingness to be lost in a space that is too large for it. All the praise for Bailey and Batt is deserved but I was also impressed with Katie West, Lesley Nicol and debutant Brian Fletcher who carries himself in a very unusual way.
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Post by andrew on Mar 12, 2018 12:45:38 GMT
I thought the whole cast were really great, it's just Bailey and Batt had more stage time.
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Post by tmesis on Mar 12, 2018 12:55:26 GMT
Interesting interview on Saturday's R2 Graham Norton show with Hastie, Batt and Nicol. It's in the last hour for iPlayer users
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Post by Deleted on Mar 12, 2018 13:47:20 GMT
I thought the whole cast were really great, it's just Bailey and Batt had more stage time. And were the foxiest.
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Post by noboiscout on Mar 12, 2018 13:47:46 GMT
Thanks Tmesis - will listen to that interview on G Norton radio show. I loved this and have re-booked to see it this week. All the performances were great, but Ben Batt was stunning. Would have said that he blew me away, but I don't want to step on Ryan's toes.
You know it's a great performance when you are lying in bed asking why couldn't it have ended differently? Why is life so unfair? I just have to keep telling myself, it's only a play, it's only a play - although Batt's upper arms were definitely real..
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Post by stevemar on Mar 12, 2018 18:29:32 GMT
Interesting interview on Saturday's R2 Graham Norton show with Hastie, Batt and Nicol. It's in the last hour for iPlayer users Thanks Tmesis. Found it after a bit of a search - here’s a link www.bbc.co.uk/programmes/b09twdxs#play2 hours 10 to 2 hours 30. On the Sheffield Crucible site is a good trailer with short footage of the show, and interviews from Jonny Bailey, Lesley Nichol and Ben Batt www.sheffieldtheatres.co.uk/whats-on/the-york-realist . The observant amongst you will even notice Ben Batt’s pecs twitch in his interview!
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Post by jek on Mar 15, 2018 19:16:01 GMT
Saw this this afternoon and loved it. Had no idea when I booked it a couple of days back that it was a school's matinee but - for me - that made it even more enjoyable. The young people had a very direct (not always comfortable) response to the play - I see from the programme that they will have had a workshop before attending and I would love to have been a fly on the wall during pre and post show discussions among them.
Inevitably for me the play stirred memories of seeing Brian Glover as God in the Mysteries put on at the National when I was in my late teens. Sheffield audiences are in for a treat.
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Post by Rory on Mar 16, 2018 8:58:13 GMT
The new season announcement at the Donmar must be due any day now. Hopefully it will be accompanied by a transfer announcemnt for this!🤞
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Post by tmesis on Mar 17, 2018 18:53:47 GMT
Just seen today's matinee and wow...
A beautiful play, the understatement expressed so much emotion and yet there was also some lovely bits of natural comedy. As others have said the acting was so subtle and open that it was like eavesdropping on a slice of real life.
Robert Hastie is a brilliant director - having now seen his Kith and Kin and the immaculate My Night with Reg he deserves a major job when he moves on from Sheffield.
It's one of the few plays I've seen where I wanted to see it all again immediately it had finished.
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Post by mrbarnaby on Mar 17, 2018 21:13:34 GMT
Have you heard any word on the grapevine about a transfer mrbarnaby? I'm busting to see this! Yes - no transfer.. very sad. More people should have seen this wonderful production
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Post by Rory on Mar 17, 2018 21:31:56 GMT
Thanks for replying. Is that definite? I'd be astounded if that were the case, really I would. It might not be immediate but I could see it coming back in a later transfer like Consent and The Jungle are.
It's been the Donmar's biggest critical and commercial success in years with the best word of mouth ever. One of the cast mentioned in a BBC Radio London interview a few weeks ago1that there were 'investigations' about a further life.
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Post by stevemar on Mar 17, 2018 23:16:23 GMT
I loved this so much the other week, it was pretty much fate when a return popped up on the website last night for the front stalls. Took it and how better to spend a snowy afternoon than in the warmth of a Yorkshire farmhouse? The first time seeing it, I wanted to go back and see it again immediately. Well, it took a week. Wonderful performances which I could appreciate more without the haze of tears from last time! The pain etched on George’s face as he sits at the family dining table all alone, or desperate for happiness with John is devastating. Subtle performances from the leads and great ensemble
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Post by Deleted on Mar 18, 2018 0:31:54 GMT
This play
Manages what
The Inheritance tries to do
In under 1/4 of the time with elegance and dignity
And without resorting to vulgarity
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Post by vdcni on Mar 20, 2018 8:59:21 GMT
My third production of this and it never fails to be heart breaking!
That said this is certainly the finest of the three with Batt and Bailey having a lot to do with that. Just exquisite performances from both of them, with every look weighted with meaning.
Great support from the rest of the cast, this for me was faultless.
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Post by noboiscout on Mar 20, 2018 12:48:02 GMT
Thankfully closing this week, as I have become a little (lot) obsessed with this play - or rather the performances. Seeing it for the fourth time tonight. No criticism whatsoever for Bailey who is excellent - but Batt's performance is one of the best, if not the best, I have seen in anything. Supporting roles all faultless too. And spot on Direction.
I will be interested to hear how it works in Sheffield with a much larger stage. I am just glad to have seen it at the Donmar.
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Post by stevemar on Mar 20, 2018 15:51:20 GMT
Thankfully closing this week, as I have become a little (lot) obsessed with this play - or rather the performances. Seeing it for the fourth time tonight. No criticism whatsoever for Bailey who is excellent - but Batt's performance is one of the best, if not the best, I have seen in anything. Supporting roles all faultless too. And spot on Direction. I will be interested to hear how it works in Sheffield with a much larger stage. I am just glad to have seen it at the Donmar. I agree that the opportunity to see this play at the Donmar and the acting up close from such a talented cast means that revisiting it is totally understandable. All the more so, as it is such a short play (1hr 45 including interval), and you almost wish it had a different ending. Ben Batt's performance is outstanding but also with the wonderful direction and writing, he is quite understated. A very fine line which this production balances well. There are lots of seats available for Sheffield (only half sold) which is a shame given the demand in London. It's only 2 hours from London. I'm off to see the show there too!
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Post by Deleted on Mar 20, 2018 19:27:08 GMT
Oooh I'm back again tonight for another go! I've seen several policemen around on my way here. Jonny B and Benny Batt must have got wind of it.
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Post by BurlyBeaR on Mar 21, 2018 21:37:02 GMT
There are lots of seats available for Sheffield (only half sold) which is a shame given the demand in London. It's only 2 hours from London. I'm off to see the show there too! I love it when people travel the other way 👍👍👍
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Post by crabtree on Mar 21, 2018 22:04:39 GMT
all booked for Sheffield....can't wait.
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Post by TallPaul on Mar 27, 2018 13:55:55 GMT
I love dynamic pricing...when prices fall.
I've just booked myself one of the 'extra' seats right by the stage for just £15, rather than the £32, or even £38, they were a few days ago.
The Sheffield Theatres website kindly warned me that I would be sitting close to the stage, which is surely the point?
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Post by Rory on Mar 27, 2018 20:12:24 GMT
Nice little piece on this tonight on Front Row on Radio 4 with plenty of clips. Slightly strange they didn't run it when it was still on in London.
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Post by n1david on Mar 27, 2018 20:19:03 GMT
Nice little piece on this tonight on Front Row on Radio 4 with plenty of clips. Slightly strange they didn't run it when it was still on in London. Presumably linked to this article on the BBC website, which also only appeared last week: www.bbc.co.uk/news/entertainment-arts-42826232I loved this at the Donmar, thought seriously about heading up to Sheffield to see again, but such a short run there...
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