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Post by Deleted on Feb 1, 2017 10:00:15 GMT
Queen Anne was barely sold until it received excellent reviews and then quickly sold out 30 June to 30 September, this Swan Theatre hit is presented at Theatre Royal Haymarket. Romola Garai heads a new cast as the Duchess of Marlborough. Emma Cunliffe returns as Queen Anne.
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816 posts
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Post by stefy69 on Feb 1, 2017 10:13:35 GMT
Well I didn't see that coming. Very welcome news
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2,480 posts
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Post by zahidf on Feb 1, 2017 10:16:17 GMT
Haymarket is an odd one for it
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Post by Deleted on Feb 1, 2017 10:59:05 GMT
Theatre Royal Haymarket - home of inexplicable transfers.
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Post by Deleted on Feb 1, 2017 11:20:55 GMT
Theatre Royal Haymarket has recently had a run of these historical dramas - Mr Foote's Other Legge and The Libertine - and the RSC is resident there now with Love's Labour's Lost and Much Ado About Nothing. So Queen Anne should feel at home there!
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2,480 posts
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Post by zahidf on Feb 1, 2017 11:23:40 GMT
Have any of them been successes? i always see loads of offers for that place
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1,119 posts
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Post by martin1965 on Feb 1, 2017 11:28:29 GMT
Very surprised by this news, saw this in the swan and thought it very average!
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Post by Deleted on Feb 1, 2017 11:32:06 GMT
Have any of them been successes? i always see loads of offers for that place Not 100% sell-out hits. TRH always prices its tickets at the top end of the range for West End drama which I suppose gives them scope for some later discounting. It's a stand-alone theatre, not part of any ATG or Nimax or Really Useful mega-conglomerate, and so can't cross-subsidise commercial flops with hits in other theatres.
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1,054 posts
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Post by David J on Feb 1, 2017 12:49:33 GMT
Very surprised by this news, saw this in the swan and thought it very average! Yeah I can't for the life of me think why this should transfer. What about The Rover or Don Quixote?
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898 posts
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Post by bordeaux on Feb 1, 2017 13:41:14 GMT
Have any of them been successes? i always see loads of offers for that place Certainly Much Ado, despite rave reviews, is half-price at the Leicester Square booth.
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Post by Jan on Feb 1, 2017 14:53:13 GMT
Have any of them been successes? i always see loads of offers for that place Certainly Much Ado, despite rave reviews, is half-price at the Leicester Square booth. The Haymarket programming appeals to me but I will not go on principle due their rotten seats and high prices.
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3,557 posts
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Post by showgirl on Feb 2, 2017 8:09:18 GMT
Many West End productions do routinely also sell via TKTS, though - I don't think that's necessarily a bad sign and if it helps some people attend, why not?
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898 posts
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Post by bordeaux on Feb 2, 2017 13:08:58 GMT
Many West End productions do routinely also sell via TKTS, though - I don't think that's necessarily a bad sign and if it helps some people attend, why not? No one's complaining! I am delighted. I just worry that people might be losing money.
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Post by Jan on Feb 2, 2017 13:56:57 GMT
Many West End productions do routinely also sell via TKTS, though - I don't think that's necessarily a bad sign and if it helps some people attend, why not? No one's complaining! I am delighted. I just worry that people might be losing money. Don't worry, that Haymarket/RSC season was priced really stupidly high just to maximise income from tourists and early-adopters over Xmas, there was obviously loads of room to discount. Really they should have done the Almeida thing of just directly pricing it differently during the run (Almeida prices are higher at the start and end of runs).
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3,557 posts
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Post by showgirl on Feb 2, 2017 19:12:41 GMT
I've honestly never heard of the Almeida having variable prices during the run - & I booked today for the final matinee of Ink at the normal price for those seats.
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816 posts
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Post by stefy69 on Feb 10, 2017 13:54:19 GMT
Priority booking for this with TRH has opened today.
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1,245 posts
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Post by joem on Feb 11, 2017 23:03:44 GMT
I enjoyed this and feel it's worth a London transfer, whether it will do well is anohter matter. But it did shed some interesting oight on a rarely-troubled-by-the-stage historical period of British history and managed to make one of the, on paper, most boring monarchs in British history quite a sympathetic character..
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Post by Deleted on Feb 11, 2017 23:09:03 GMT
I enjoyed this and feel it's worth a London transfer, whether it will do well is anohter matter. But it did shed some interesting oight on a rarely-troubled-by-the-stage historical period of British history and managed to make one of the, on paper, most boring monarchs in British history quite a sympathetic character.. I thought it was excellent And insightful and interesting And enlightening My family loved it also and all found it engaging And it's lovely for Natalie to have a WE transfer 🤗
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Post by emilytemple on Feb 17, 2017 10:42:52 GMT
Hello, anyone have some tip for choose seats in Theatre Royal Haymarket. Unfortunately,iamn't high and a fear of heights the upper and gallery probably willn'tt work with me which seats in Stalls are the best ( in the price range 55 ) or it is better to pay extra and choose a more expensive seats
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1,119 posts
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Post by martin1965 on Feb 17, 2017 11:14:18 GMT
I enjoyed this and feel it's worth a London transfer, whether it will do well is anohter matter. But it did shed some interesting oight on a rarely-troubled-by-the-stage historical period of British history and managed to make one of the, on paper, most boring monarchs in British history quite a sympathetic character.. I thought it was excellent And insightful and interesting And enlightening My family loved it also and all found it engaging And it's lovely for Natalie to have a WE transfer 🤗 Also saw this in sua and found it dul dull dull. Cannot believe it is transferring to WE when imo Rover would be much better bet!
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99 posts
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Post by emilytemple on Feb 17, 2017 11:33:03 GMT
Hello, anyone have some tip for choose seats in Theatre Royal Haymarket. Unfortunately,iamn't high and a fear of heights the upper and gallery probably willn'tt work with me which seats in Stalls are the best ( in the price range 55 ) or it is better to pay extra and choose a more expensive seats And how is looks like a return ticket, if I will not be able to use them?
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2,480 posts
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Post by zahidf on Feb 17, 2017 11:46:16 GMT
Hello, anyone have some tip for choose seats in Theatre Royal Haymarket. Unfortunately,iamn't high and a fear of heights the upper and gallery probably willn'tt work with me which seats in Stalls are the best ( in the price range 55 ) or it is better to pay extra and choose a more expensive seats And how is looks like a return ticket, if I will not be able to use them? Without wishing to be unkind to the show's prospects, I doubt very much they will sell lots of tickets for this on current pricing, and I would recommend waiting for offers for tickets in the stalls for this.
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99 posts
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Post by emilytemple on Feb 17, 2017 21:01:28 GMT
Without wishing to be unkind to the show's prospects, I doubt very much they will sell lots of tickets for this on current pricing, and I would recommend waiting for offers for tickets in the stalls for this.
Do you think there isn't need to hurry with buying tickets for this? and maybe will lower prices? theatremonkey.com I would happily go to preview and that was my original plan or in the first week of play but i can't take my vacation so I will be in London in late August /September
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1,120 posts
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Post by samuelwhiskers on Jul 11, 2017 11:52:30 GMT
Anyone seen this? I have heard no buzz about it at all, and they're papering like mad.
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Post by sayers500 on Jul 11, 2017 12:08:52 GMT
I saw it last Saturday and found it a tad stilted. A lot of RSC gesturing without really conveying real emotion and I think the transfer from the thrust layout of the Swan to the proscenium of the Haymarket has led to a more squashed staging. I was really impressed by Emma Cunniffe as Anne but I thought the standout was Jimmy Garnon, an ex-globe regular who brings a joyous manipulative turn in what is effectively an audition to play Iago. I think the play itself is great but needs a theatre where grand declarations are accepted rather than seen as odd and out of place (I think the Swan must have been a good stage for this and can imagine a successful revival at the Globe much like the Heresy of Love).
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