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Post by Deleted on Jan 23, 2017 13:05:05 GMT
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4,970 posts
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Post by Phantom of London on Jan 23, 2017 13:32:00 GMT
Very hard to comment, as haven't heard of any of these, which is unsurprising as there are 2 new plays and an obscure play from New York.
Okay it is hard to hide my disappointment here, thought at least one would have been a well known transfer from Broadway.
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Post by Deleted on Jan 23, 2017 13:44:53 GMT
Sara Kestelman back at the Hampstead after 'iHo' for 'Filthy Business' for all of you Kestelfans! See what I did there?
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546 posts
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Post by drmaplewood on Jan 23, 2017 14:29:40 GMT
I definitely sure The Holy Rosenbergs but remember nothing about it other than it being set near where I grew up. Intrigued by Gloria.
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Post by Deleted on Jan 23, 2017 15:01:52 GMT
Hampstead Theatre programming is normally right off my radar but as I've already booked and am eagerly looking forward to Branden Jacobs-Jenkins's The Octoroon at the Orange Tree, directed by Ned Bennett, I shall leap at the chance to see Gloria, also written by Branden Jacobs-Jenkins.
And I've always found Rory Stewart seductively fascinating so I may regret not seeing Occupational Hazards.
Filthy Business sounds like more of the usual dross served up at Hampstead.
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4,970 posts
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Post by Phantom of London on Jan 23, 2017 20:57:57 GMT
Last week the Almeida announced their 3 play season, which is 100% more appealing, even their new writing about the Sun I would find fascinating, how a newspaper moved from a left wing champion of the people to a right wing champion of the people, but really in this programming nothing is there for me, but guess nearer to the time I will see a couple of them.
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Post by Deleted on Jan 23, 2017 23:49:57 GMT
I do very much like going to the Hampstead, but I feel pretty uninspired by this announcement. Maybe I'll take a season off.
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421 posts
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Post by schuttep on Jan 26, 2017 14:42:48 GMT
Not very inspiring season, which is a GOOD thing as I'm spending (or spent) a fortune on Angels in America, Hamilton, Almeida, Menier and Young Vic.
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