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Post by Mark on Oct 1, 2018 8:12:53 GMT
Airline pilot makes a lot more sense in this iteration than flight attendant. I mean, in what corner of the western world are there any STRAIGHT male flight attendants LOL? There are quite a lot surprisingly! Although definitely a lot more gays.
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Post by Paul on Oct 1, 2018 9:01:58 GMT
Airline pilot makes a lot more sense in this iteration than flight attendant. I mean, in what corner of the western world are there any STRAIGHT male flight attendants LOL? I'm cabin crew and I'm gay (not sure which point I'm trying to prove here) but there are quite a lot of straight male cabin crew - in my previous airline there were definitely more straight male crew than gay male crew.
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Post by karloscar on Oct 1, 2018 9:20:15 GMT
Unless they've totally rewritten the character you wouldn't want Andy/April in charge of your luggage never mind flying the plane or we'd all end up like that butterfly in story.
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Post by jay78uk on Oct 1, 2018 12:02:02 GMT
Secured rush tickets for tonight... beyond excited. Was surprised Tix allocated me row R stalls seats, I was expecting just front row...
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227 posts
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Company
Oct 1, 2018 16:39:04 GMT
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Post by galinda on Oct 1, 2018 16:39:04 GMT
Anyone sat back row of this theatre? What’s the view like?
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Post by BurlyBeaR on Oct 1, 2018 18:21:09 GMT
The orchestra are up on a platform at the top, mainly in darkness so nothing much to see up there anyway.
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Company
Oct 1, 2018 20:08:56 GMT
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Rory likes this
Post by Deleted on Oct 1, 2018 20:08:56 GMT
Interval and.... just wow.
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227 posts
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Company
Oct 1, 2018 20:34:59 GMT
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Post by galinda on Oct 1, 2018 20:34:59 GMT
Anyone sat back row of this theatre? What’s the view like? See the photograph on page 41 of this thread for the stalls. It's fine. Also very decent in the grand circle, if that's what you mean. Not too far away. Only problem is the curve of the circle may cut the front corners off the stage. Thank you
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Post by Deleted on Oct 1, 2018 21:59:56 GMT
I can’t get over how brilliant this was. From the opening number the audience was behind it, and the cheers just kept getting louder and louder.
I have three favourite moments:
1. The opening 2. Jonathan’s number 3. Patti’s number
Runner up: Richard’s part.
I now know three things:
1. I will see this again 2. I want a cast recording 3. I want a dvd
In all seriousness though, I just don’t get Rosalie. She isn’t bad but she’s not amazing. I’ve seen her in a number of things now and whilst technically right every time, she just doesn’t seem to bring out the warmth in a character. A one off I could understand, but I thought the same in The Light Princess, City of Angels and now this.
I just sat there at times thinking 30 years ago had they done the gender swap then, Patti would have had them eating out of the palm of her hand.
I didn’t know much going into this other than the gender swap and a few standards, but why did they change the girlfriends to boyfriends? I genuinely don’t see what difference it would have made.
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Post by lonlad on Oct 1, 2018 22:57:37 GMT
Hard to imagine Patti as Bobbie, even 30 years ago -- she's too brassy by half and would have devoured the Andys of the world for breakfast. (A young Bernadette Peters would have been interesting: the same affect she communicated in SONG AND DANCE.) I thought Rosalie was extraordinary in TLP, much less so in CITY OF ANGELS. Wish I had seen her in SOUTH PACIFIC.
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Post by jay78uk on Oct 1, 2018 23:08:00 GMT
As a massive Sondheim fan, I was so excited to see this. I've never seen Company performed beyond watching a DVD of a semi staged production by Neil Patrick Harris, but am v. familiar with the score and concept of the piece. I was so hoping to be blown away by this show but have to admit to not quite feeling it, and my company for the night felt the same way. We both felt that the songs and lyrics still sparkle, but struggled with some of the dated dialogue between the numbers. As the programme points out, the original production reflected the sexual revolution of the seventies, and I suspect it was genuinely fresh and exciting back then to watch scenes reflecting the hot topics of the day e.g. someone smoking their first spliff or openly discussing divorce... but for me some of the exchanges felt dated and staid and went on for a rather long time. So I wish they had reworked the book, and also been a bit braver with some of the numbers that don't quite work with the gender swap- particularly the laddish banter of 'have I got a guy for you'. But it was still great fun, loved what they did with side by side by side, and the night club scene towards the end! Going to disagree with Kevin- I thought Rosalie was great. I was less impressed with Patti- felt she shouted much of her number and didn't make much of an impression on me before that, but to be fair the book and score gives her little opportunity to. Loved most of the staging and direction, other than overly repetitive perplexing moment after Barcelona. It will be fascinating to see what the critics make of it- I suspect they'll applaud the design, cast and score but those that aren't Sondheim devotees might struggle with the linear structure and dialogue.
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Post by Deleted on Oct 1, 2018 23:45:03 GMT
I’m pretty sure that the scenes we see are not in chronological order, so it’s very much a non linear structure.
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Post by jay78uk on Oct 2, 2018 5:09:28 GMT
I’m pretty sure that the scenes we see are not in chronological order, so it’s very much a non linear structure. Apols that's what I meant!
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Company
Oct 2, 2018 8:19:29 GMT
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Post by karloscar on Oct 2, 2018 8:19:29 GMT
I think critics got over non-linear structure a long long time ago. Sondheim or maybe Hal Prince said they were less worried about Company playing London in 1972 because Pinter and co had prepared audiences in the UK for such things, far more than on Broadway at the time.
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Company
Oct 2, 2018 9:12:30 GMT
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Post by Someone in a tree on Oct 2, 2018 9:12:30 GMT
Just got row p Rush Tickets. Pleased as a vodka stinger 😄😄😄
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Post by Deleted on Oct 2, 2018 10:10:21 GMT
Just got row p Rush Tickets. Pleased as a vodka stinger 😄😄😄 Stalls? Keeping tabs on the Rush ticket situation for a journey in a week or two. Torn between booking and paying through the nose via dynamic or risking it for rush on the train down. Seems they're offering rear stalls only on TT Rush currently.
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Post by helso1 on Oct 2, 2018 10:32:46 GMT
Anyone sat back row of this theatre? What’s the view like? See the photograph on page 41 of this thread for the stalls. It's fine. Also very decent in the grand circle, if that's what you mean. Not too far away. Only problem is the curve of the circle may cut the front corners off the stage. Row W of the stalls, view ok? I just checked the seating chart on your website theatremonkey and looks to be listed in white. Many thanks.
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Company
Oct 2, 2018 11:43:29 GMT
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Post by Oleanna on Oct 2, 2018 11:43:29 GMT
Don’t want to look through this thread too much as trying to avoid spoilers, but am just trying to gauge whereabouts the TodayTix rush seats are (looks like rear stalls?) and how quickly they’re going at 10:00, anybody have any insights?
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Post by Deleted on Oct 2, 2018 11:59:57 GMT
Tar for the knowledge @theatremonkey - s'pose I could have checked seating plans in hindsight.
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Post by helso1 on Oct 2, 2018 12:55:08 GMT
Row W of the stalls, view ok Fine. See page 41 of this thread for a photo taken from about there. Wonderful, thank you :-)
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Company
Oct 2, 2018 14:31:50 GMT
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Post by No. on Oct 2, 2018 14:31:50 GMT
Don’t want to look through this thread too much as trying to avoid spoilers, but am just trying to gauge whereabouts the TodayTix rush seats are (looks like rear stalls?) and how quickly they’re going at 10:00, anybody have any insights? I can’t say where they are for certain, but I was on TodayTix before on 10am and almost as soon as I refreshed the page they were all gone/in baskets
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Post by Deleted on Oct 2, 2018 15:33:43 GMT
Yes, I had a look the other day and they all went instantly.
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Company
Oct 2, 2018 20:18:05 GMT
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Post by callum on Oct 2, 2018 20:18:05 GMT
Managed to get a rush ticket yesterday (O24 in stalls) and thoroughly enjoyed it, if not as much to the lofty heights of Sweeney, Gypsy & Follies. Patti was sublime, and Rosalie Craig did an excellent job. I’m not particularly familiar with the book, and can genuinely say I wouldn’t have had a clue that there was a gender swap of the main role - in fact, I probably would have enjoyed it less with a male lead.
Staging is very surprising, and glad I wasn’t spoiled. Side by Side by Side a highlight. Four stars!
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Company
Oct 2, 2018 22:04:11 GMT
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Post by Deleted on Oct 2, 2018 22:04:11 GMT
Oh wow, Patti has really let the rule of no selfies at stage door go! There are tonnes of her with fans on Instagram!
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Post by dazzerlump on Oct 2, 2018 22:12:11 GMT
Please tell me you can get a Vodka Stinger at the bar!
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