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Post by Talisman on Jun 16, 2024 12:41:03 GMT
I would be most interested to know if anyone can explain
the thinking behind the puppets the relevance of the teddy bear set the overall concept
Despite knowing the play well, I was somewhat perplexed.
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Post by cavocado on Jun 16, 2024 15:02:40 GMT
I would be most interested to know if anyone can explain the thinking behind the puppets the relevance of the teddy bear set the overall concept Despite knowing the play well, I was somewhat perplexed. I'm waiting for reviews before booking - press night on Tuesday. Maybe the reviews will help answer your questions if nobody else replies.
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Post by Talisman on Jun 16, 2024 16:31:23 GMT
Wait for reviews before booking as it is far from what one might expect
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1,217 posts
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Post by nash16 on Jun 16, 2024 17:38:54 GMT
It could be a contender for worst show/“director’s take” at the Globe.
Those poor actors.
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Post by kate8 on Jun 16, 2024 18:46:51 GMT
Oh dear, I was quite keen to see this as it’s not a Shakespeare that is done very often, but I‘ll hang onto my money unless there are big discounts - quite likely I’d imagine.
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Post by ladidah on Jun 17, 2024 10:42:41 GMT
puppets?!
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Post by Talisman on Jun 17, 2024 10:54:51 GMT
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Post by Talisman on Jun 17, 2024 11:04:00 GMT
Several of main characters have puppet like creations that they hold in front of themselves, animating mouths while speaking their lines. I couldn’t see why this was done.
A clever use was made of Christopher Sly throughout.
The stage is dominated by a gigantic inflatable teddy bear, the relevance of which I would like to ascertain.
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Post by ThereWillBeSun on Jun 17, 2024 16:57:08 GMT
It’s my favourite Shakespeare and I’ve seen around 7/8 productions. Thanks for the intel ^ 😝
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Post by Phantom of London on Jun 17, 2024 23:53:12 GMT
Well this is a first for me and after very careful consideration the show was very worthy of the one star I gave this. Taming the Shrew is a comedy and not a tragedy, seeing this production others will think otherwise.
As said on another thread the actress playing Katherina was playing the role with script in hand, which completely destroys her acting and interaction with other characters. The last 5 productions I have seen there was someone who had a script in hand, exceptions I made because of Covid and understood that because of the pandemic they had to replace actors at very short notice, but we are well past this now - actors need to learn their lines and the Globe need to pay understudies, they are not a poor organisation.
Someone posted on another thread that the Globe needs an AD who can make artistic decisions, I concur.
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Post by ThereWillBeSun on Jun 18, 2024 0:17:03 GMT
Script in hand? …
I have to agree that Michelle Terry’s tenure has been so uninspiring.
Shakespeare’s Globe need someone else, stat.
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Post by oxfordsimon on Jun 18, 2024 1:07:50 GMT
There must be actors out there who have played Kate before who could quickly get back up to speed with the lines
It's not performed as often some of the comedies, but there are actors who will know the part
And if this has been going on for a few days, the actor has had time to learn most of the lines.
Poor form
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Post by Talisman on Jun 18, 2024 8:34:02 GMT
I know of no other theatre that does on such a regular basis.
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Post by ladidah on Jun 18, 2024 10:43:06 GMT
That is appalling.
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Post by NeilVHughes on Jun 18, 2024 11:09:29 GMT
Missing the Dromgoole days, thought Terry would be a traditionalist but not really been impressed with any productions during her reign, from a regular attendee to not going at all last year, productions and casts on the whole have been underwhelming.
Will likely catch her RIII but in no great rush to book.
As it is primarily a tourist attraction where returnees are a small part of the clientele the quality of the productions is in reality immaterial and the Globe is always well attended.
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Post by aspieandy on Jun 18, 2024 13:56:12 GMT
So many tourists go there, I honestly feel the current regime - Board and AD - have damaged the reputation of London. Not the end of the world but word-of-mouth back home, etc.
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Post by ladidah on Jun 18, 2024 14:04:06 GMT
Surely tourists want to see something fun (much ado was great!) or traditional. Wacky puppets isn't for anyone.
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Post by aspieandy on Jun 18, 2024 14:30:14 GMT
They certainly believe they do righteous work at the Globe - the LGBTQetc and Woke themes, for example - but it's difficult to not think they are so lost in that commitment the (Shakespearean) platform.becomes misshapen, and ultimately undermined.
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Post by Jon on Jun 18, 2024 14:34:48 GMT
So many tourists go there, I honestly feel the current regime - Board and AD - have damaged the reputation of London. Not the end of the world but word-of-mouth back home, etc. That's a hyperbolic hot take, London isn't being damaged by Shakespeares's Globe
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Post by Talisman on Jun 18, 2024 14:40:24 GMT
They certainly believe they do righteous work at the Globe - the LGBTQetc and Woke themes, for example - but it's difficult to not think they are so lost in that commitment the (Shakespearean) platform.becomes misshapen, and ultimately undermined. I thought that I Joan and Henry viii worked very well but I agree in general. So often the efforts also result in very weak casting.
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Post by craigbowker on Jun 18, 2024 14:49:29 GMT
Missing the Dromgoole days, thought Terry would be a traditionalist but not really been impressed with any productions during her reign, from a regular attendee to not going at all last year, productions and casts on the whole have been underwhelming. Will likely catch her RIII but in no great rush to book. As it is primarily a tourist attraction where returnees are a small part of the clientele the quality of the productions is in reality immaterial and the Globe is always well attended. Would highly recommend Much Ado
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Post by Talisman on Jun 18, 2024 15:00:13 GMT
Unless you are allergic to oranges!
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Post by TallPaul on Jun 18, 2024 16:25:56 GMT
So many tourists go there, I honestly feel the current regime - Board and AD - have damaged the reputation of London. Not the end of the world but word-of-mouth back home, etc. That's a hyperbolic hot take, London isn't being damaged by Shakespeares's Globe No, it's the rip-off prices for everything that have damaged London's reputation overseas...and all the stabbings.
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Post by Talisman on Jun 19, 2024 11:07:16 GMT
Press reviews for Shrew at Globe now appearing
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Post by ladidah on Jun 19, 2024 11:18:59 GMT
The telegraph review is hysterical, this production sounds truly deranged.
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