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Post by dr on Jan 13, 2024 22:48:44 GMT
Saw the first matinee of this today. Thought it was visually stunning, with some remarkably creative set choices, brilliant uses of practical lighting and bold choreography to evocatively and ornately tell a story of immigration. The entire piece is told in various non-English languages, in-keeping with Gecko's multilingual/multicultural approach, so it is sometimes difficult to follow the specifics of the narrative. As a result, I left a little unsatisfied, wishing there were more markers to guide what felt like a nuanced and emotive story. There were just too many intertwined narrative threads, too many ideas, and without that extra clarity, it struggled to say anything, or add anything to the discourse. But on the whole, it's strong physical theatre, with very timely themes, and it was well received by a packed Lyttelton house this afternoon. It's a 3-star show, but I'll certainly be keeping an eye out for Gecko's future work.
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Post by artea on Jan 17, 2024 16:15:37 GMT
Thu 18 January 2024 7:30 pm: around half the front row stalls currently (16.14) available.
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1,828 posts
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Post by Dave B on Jan 27, 2024 22:22:48 GMT
I'd echo dr post. Visually stunning, the lighting in particular being an absolute knockout but the shifting and repeating narratives are at times hard to follow but even more, hard to connect with the story. Left me feeling out of sync but the place leapt to it's feet at the end so... yeah.
Certainly interesting in seeing more Gecko too.
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1,470 posts
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Post by mkb on Feb 9, 2024 15:28:39 GMT
I caught one of the first shows, which was Friday 12 January.
The highly stylised lighting and sound design reminded me a little of Punchdrunk and was impressive. Although the specific narrative wasn't always 100% clear, the overall direction was. I enjoyed it.
Four stars.
One act: 19:35-20:54
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